I hope you remember back in August, when we covered the live reading of The Iliad that took place between the British Library and the Almeida Theatre in London. It was, as I said at the time, by far and away the greatest-super-colossal-fantastic days I can remember, and proof positive that people telling people stories is still one of the most powerful forces in the world.
Indeed, because the event was live-streamed and covered by Twitter, the reading became a worldwide phenomenon–I even understand some of you lovely patrons were able to watch parts of it! For those who missed it, here is the link to all 16 hours of readings. As mentioned, one of the most memorable moments was when and Marco Brondon read his passage out loud on the bus from the British Museum to the Almeida Theatre in order to ensure that the marathon would not flag.
Well, thanks to the enormous acclaim and overwhelming success of The Iliad, and no doubt because of my near-hysterical promotion of it to anyone who will listen, the good people at the Almeida are upping the proverbial ante….
That’s right, beloved patrons. In honor of the end of The Greek Season, the Almeida is planning a marathon reading of The Odyssey, another epic poem attributed to the poet/poets known as Homer, and the second oldest extant piece of literature in the ‘Western’ canon.
Now, at 12,110 lines, The Odyssey is noticeably shorter than The Iliad (which is 15,693 lines, for those of you who need to know these things), which should, logistically speaking, make this piece somewhat easier to manage, right?
Scoff, scoff. The good people at the Almeida are never ones to take the easy route–a statement as factual as it is now literal. Because this performance is going to be an actual Odyssey, performed at five as-yet-undisclosed locations throughout the city of London. Listeners in the City will have the opportunity to listen to readers for up to 90 minutes at a single site, and there apparently are plans to read on public transport, and even the Thames.
When will all this wonderfulness take place? November 12, 2015, 9am BT (4AM EST).
For those of you would like to get into the spirit of things beforehand, here are some ideas to get in you in the mood for a day of high-stakes adventures, startling adventures, and sweet homecomings. And a Cyclops or two. It’s just no fun otherwise.
The Odyssey: Perhaps a bit of an obvious first choice, but there is no better way to get into the Odyssey than by traveling along with Odysseus and his beleaguered crew who suffer the wrath of Poseidon in their desperate attempt to return home. It stands to reason that, since the Almeida used Robert Fagles’ translation of The Iliad, it’s a pretty fair bet they’ll be using his translation of The Odyssey as well. Truth be told, it’s a very accessible translation that sounds simply wonderful when performed aloud–but don’t take my word for it. Check it out for yourself!
The Odyssey: Against all odds, this 3.5 hour adaptation of Homer’s epic (co-produced by the Hallmark Channel, who would have thought?) is actually quite good, overall. With excellent performances, and special effects that are pretty impressive for turn-of-the-century television broadcast, this is a highly entertaining way to get introduced to Odysseus’ tale for those who don’t have the 12+ hours it is estimated to take to get through the print version.
Torn from Troy: Patrick Bowman’s YA spin on The Odyssey stars Alexi, a fifteen-year-old Trojan boy who is made Odyssey’s slave following the conclusion of the Trojan War. The trilogy of Alexei’s journey may parallel the events of The Odyssey, but this is by no means a simple re-telling. As an outsider, and a conquered slave, Alexei’s view of Odysseus, and his analysis of his actions, are very different from Homer’s narrative, and Alexei’s personal story adds a very human dimension to this sweeping adventure story. These books are a fun read no matter what your age, especially because they allow so many most characters in the story to come forward and tell their own stories and journeys.
The Penelopiad: And for those of you who are a little tired of all the men unable to find their way home and seemingly unconcerned about their lack of punctuality, Margaret Atwood presents a cycle of stories about Odyssey’s wife Penelope, who appears here as a much more complicated figure than any of us ever expected. Inspired by the “hanging of the maids” reference in the original text of The Odyssey, Atwood set out to reimagine Penelope’s world, her birth and childhood, as well as the events that took place after her marriage and during the timespan of The Odyssey. The result is a woman who is strong and enigmatic, proud and secretive and, overall, utterly compelling, as is everything that Margaret Atwood writes.
Be sure to check back for more news regarding this performance, and see you on Thursday for the live-streaming of The Odyssey!