Tag Archives: Children’s Books

Saturdays @ the South: Let’s Say Hello to the Babies…

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Let’s say hello to the babies / Let’s say hello to the babies / Hello, hello, hello, hello / Let’s say hello to the babies.

This simple song was one of the first that I heard when learning to do baby story times. It’s so often that the library is considered a “kids'” place or an “adult” space, but not too many people think of the library as a “baby” space. There’s a very simple explanation for this misconception: babies don’t read, so why would they use the library? Those of us in the know understand, however, that literacy doesn’t start with reading. The earliest literacy begins with helping babies understand sounds, associate words (an inherently abstract concept) with concrete items, all of which help build their communication skills and fundamental understanding of their world. It’s also helpful for babies to understand the idea of books. The more they’re exposed to them in their young life, the more they are likely to find enjoyment in them as they get older. Children are also expanding their vocabularies in their youngest years. The more words they are exposed to, even if they don’t know the meaning of them right away, the more likely they are for their vocabulary to build. In fact, most children who have been regularly exposed to books at a young age are more likely to be prepared for kindergarten.

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But baby story times aren’t just about the books. In fact, books are only a small part of what the story time is about because librarians know that kids at that young age aren’t ready to read just yet. There are plenty of other ways to build literacy and aid development. Singing is a big component of baby story time because singing slows down words to allow children to become more aware of individual sounds that create words (phonological & phonemic awareness). Singing also involves a lot of repetition which is how anyone, not just babies learn.

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There is also a large amount of caregiver involvement with baby story times. Certainly even the best of librarians can’t manage a room full of infants and toddlers by themselves! Ideally, there is a 1-child-to-1-lap ratio which allows a caregiver to cuddle, tickle, rock, sway and otherwise get involved with their baby. This encourages trust between the child and caregiver and establishes a sense of security and bonding. It’s also a great opportunity for babies to increase their strength and coordination with a caregiver’s help. Bounces, tickles and swaying all help the child develop a sense of balance and helps them gain spatial awareness in a safe environment.

So why am I getting on my soap box this week to talk about why babies belong in the library as much as anyone else? Well, I’m excited to be offering a new Baby Story Time and a Toddler Story Time at the South Branch starting this coming Wednesday, September 21st!! Baby Story Time will be for infants ages 0-18 months at 10AM and Toddler Story Time will be for the wee ones ages 18-36 months at 11AM. We have some wonderful young families in Peabody that deserve to have their local library be a place where they can come and enjoy themselves. Each session will run for 4 weeks with a 1 week break in between. It’s an opportunity for infants to be exposed to the great offerings the library has and hopefully to create lifelong library patrons. As with all of our programs, it’s free and open to the public, but unlike many of our library programs, we’re not requiring registration. Babies can be unpredictable, and we want these programs to be as welcoming and accommodating as possible. My hope is that this creates an opportunity for a previously underserved population to come in and enjoy the library!

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*A note on sources: the information about early literacy was accumulated through many resources. Because the books aren’t available in the NOBLE network I haven’t listed them here, but will be happy to share any titles and resources with anyone who is interested!

Happy Birthday, Mo Willems!

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Today, the Free For All is positively gleeful to be celebrating the birthday of children’s author, cartoonist, and guy-who-has-all-the-jobs-I-ever-wanted, Mo Willems!

2371232Mo Willems was born today near Chicago, and began drawing when still a toddler.  However, as he noted, even at the age of four, he was monumentally annoyed by grown-ups who pretended to appreciate his work out of respect for his age.  So he started writing funny stories to accompany his drawings, realizing that not even grown-ups could fake a belly laugh.   After graduating from Tisch, he traveled around the world, drawing a cartoon a day (which became a book entitled You Can Never Find a Rickshaw When It Monsoons.

Following his return, Willems became a cartoonist for Sesame Street  and Nickelodeon, while also performing stand-up and recording essays for the BBC (seriously, All The Jobs….).  And while those gigs were all pretty successful, including the show Codename: Kids Next Door, on which Willems served as the head writer for four seasons, he left TV in 2003 in order to focus on his writing career.

2266602Willems’ children’s books have that remarkable ability to appeal not only to their younger target audience, but to adults–and critics, as well.  The New York Times Review of Books called his Pigeon “one of this decade’s contributions to the pantheon of great picture book characters.”  Three of his books have been awarded the Caldecott Honor for “most distinguished American children’s picture book”: Don’t Let the Pigeon Drive the Bus! (2004), Knuffle Bunny: A Cautionary Tale (2005), and Knuffle Bunny Too: A Case of Mistaken Identity (2008).  Trixie, the heroine of both Knuffle Bunny books, incidentally, is based on Willems’ own daughter, who was the main drive to get him to find a career which would let him work at home and have lunch with his daughter every day.  “Trixie is funny.”   He observed in an interview with the Springfield News,  “My books aren’t quite as good as her jokes.”

2974151Along with these honors, Willems’ Elephant and Piggie books have also won the Theodor Seuss Geisel Award  for “author(s) and illustrator(s) of the most distinguished book for beginning readers published in English in the United States during the preceding year” in 2008 and 2009, and have won honors every year since 2011.  In addition, my goddaughter thinks that they are great, and that, frankly, is the highest praise that I can give to a children’s book.

3463134Anyone who has been anywhere near the Circulation Desk when one of Willems’ books comes in will know that time stops, and we all have to stop for a second and appreciate the delightfully quirky premises,  heartfelt humor, and joyful exuberance that fills the pages of all his works, particularly The Pigeon Needs a Bath! (and this is coming from someone who is slightly terrified of pigeons, so you can imagine what it takes for me to say this).  So, on this somewhat gloomy day, why not take a few moments to savor Mo Willems’ work at the Library, or by perusing the website run by The Pigeon himself!

Another Post About Dr. Seuss

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Courtesy of seuss.wikia.com

We spent yesterday celebrating the wonderfulness of Dr. Seuss, and how he revolutionized the world of children’s literature with books like The Cat in the Hatand One Fish, Two Fish, Red Fish, Blue Fish.  And we had a blast doing it.

Dr_Seuss_sheep_tooBut there is a big difference between talking about Dr. Seuss’ influence, and actually realizing how fundamentally he impacted the lives of his young readers.  I myself remember reading One Fish, Two Fish, Red Fish, Blue Fish to my mom when I was just beginning to read. There was one page about sheep:

The moon was out and we saw some sheep.
We saw some sheep take a walk in their sleep.
by the light of the moon, by the light of a star;
They walked all night from near to far.
I would never walk. I would take a car.

And I utterly, completely lost my place “reading”–but because the whole story rhymed, and because the illustrations were so vivid, I (who had read, and been read this story more times than is probably decent to admit here) was able to figure out what the page said, and got to the end of the book.  For me, it was the first time I remember realizing that I could read without help.  And that is a pretty big moment in the life of a reader.

In putting together yesterday’s blog post, I also came across an entry from the Library of Congress’ Blog titled “Letters on Literature”, which featured a letter written by a student relating her own memories of One Fish, Two Fish, Red Fish, Blue Fishand I wanted to share that with you, as well;  it is part of an initiative run by the Center for the Book in the Library of Congress that encouraged children to write to their favorite authors.  It’s a letter that reminds us how impactful reading can be in our lives, and how important books can be to a relationship.  You can read the letter here, as well as at the Library of Congress site, to which we send our hearts full of gratitude:

Dear Dr. Seuss,

When I was little, I remember reading “One Fish Two Fish, Red Fish Blue Fish” at night before I went to bed, and being so absorbed in it I wouldn’t put it down. It would leave me with such a great feeling I wouldn’t want to stop reading; it was my favorite. Eventually, though, my mom would come in and tell me to go to sleep, and I always dreaded that point. I felt as if that visit was the moment my room came back to life, and I bounced back to reality. But sadly, I don’t get those visits anymore. About a month ago, my mother passed away with brain cancer.

My mom always had a love of reading. She would read a 200-page novel in two hours if you let her. She could read on and on and on. Most of the books she read were trashy novels, with no definite purpose except to entertain. But my mom would read me any book in the universe if l asked her to, simply because she wanted to share her love of reading with everyone. We read “One Fish Two Fish” so many times, I can’t imagine how she didn’t feel as if she had written it herself, but the funny pictures, the made-up words, the voice — it made us both escape into a place we couldn’t explain. It was wonderful and so exciting it left me with a lasting impression of books I’ll never forget. These memories were some I will always cherish. They connected me to my mom and I hope one day, if l have a family, I will share this memory with my kids and pass it on. I hope I will be just like my mother, because these memories were some I shared with her.

Once, when I was about eight years old, my mom and I cleaned out my bookshelf. It was overflowing with picture books, books I had gotten as presents, and the books my mom had saved since she was a little girl. We took every single book out and made three piles: the Keep pile, the Throw Out pile, and the Keep in the Attic pile. I would take the books that no one read anymore, put them in the Throw Out pile, and as soon as my mom saw what I had done, she’d say, “NO! We have to keep this one. Don’t you remember reading this before?” I’d say, “Mom, I’m never going to read that. If you really want to keep it put it in the Attic pile.” Pretty soon the Attic pile was by far the biggest one. We stored them up there, but they were soon long forgotten, isolated from small children’s hands and eagerness to read for so long. I still have those Attic books, and I haven’t looked at them in forever.  My mother cared way too much about the memories of reading books with my brother and I when we were kids, to throw them away. She and I wanted to hold on to the happy past and the fun memories. I realized that I would be okay as long as I didn’t let go of our time together, just like neither of us let go of our memories reading “One Fish Two Fish.”

One of the only books in the Keep pile was “One Fish Two Fish.” It was the memory that always made neither of us want to let it go. Whenever I miss my mom, I can read it and remember the way her voice sounded and how safe and warm we felt with each other. The way she’d fall asleep on my bed sometimes if we read late enough. Even if l can’t be with her, I can still turn to what we both held on to. I’ll always have that. 

“Today was good. Today was fun. Tomorrow is another one.” —Dr. Seuss

Happy Birthday, Dr. Seuss!

Dr-SeussThose of you who frequent our Children’s Room will have seen the above-the-stacks display of Dr. Seuss books, featuring everything from How the Grinch Stole Christmas to The 500 Hats of Bartholomew Cubbins in honor of Theodor Seuss Geisel’s 112th birthday.  We here at the Free-For-All have reveled in our love of Dr. Seuss, in the past, so we are thrilled to be celebrating today!

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A Theodor Geisel ad for “FLIT”. Now with DDT!

Theodor Geisel remains one of the most celebrated children’s book authors of all time, with several of his books among the top-selling in history, having sold over 600 million copies, and being translated into over 20 languages by the time of his death.  It was not his first, or only career choice, however.  Geisel studied at the University of Dartmouth and Oxford University, before leaving Oxford in 1927 to become a cartoonist and illustrator for Vanity Fair Life.  He supported himself and his first wife, Helen, through the Depression
by drawing ads for companies as diverse as Standard Oil, General Electric, and the Narragansett Brewing Company.  Though his first children’s book, And to Think That I Saw It on Mulberry Streetwas published in 1937, he spent most of the Second World War making animations for the American Army, including the short film Design for Death, which won the Academy Award for Documentary Film in 1947.  He would win another Academy Award when Gerald McBoing-Boing, based on one of his stories, won the 1950 Academy Award for Best Short Film.

One of Geisel's political cartoons from the Second World War
One of Geisel’s political cartoons from the Second World War

Following the war, and the onset of the Cold War, the education of American children became seen as another tool in world domination–however, the literacy rate among American children, it turned out, was lamentable.  In 1954, Life released an article that concluded that children were not reading because the books they were given to read were boring.  In an effort to ameliorate the situation, William Ellsworth Spaulding, director of the education division at Houghton Mifflin in Boston, compiled a list of roughly 350 words that he felt were important for first graders to know.  Handing the list to Geisel, he asked him to cut it down to 250 words, and write a book that would capture children’s attention, and help them learn to read while being entertained.  The result was a book that used 236 of those words, and featured the same vibrant illustrations, rhyming narrative, and fantastical plot elements of Geisel’s earlier work, but was accessible to beginning readers.  The title? The Cat in the Hat.  

imagesGeisel went on to write a number of books in this simpler style, while continuing to produce more linguistically challenging books for more advanced readers, providing a canon of works that children could grow up reading–and many did.   According to Geisel, “kids can see a moral coming a mile off”, so his works were not based around a single lesson or value, and this gave him the freedom to confront any number of issues in a way that children could appreciate and understand, from the Cold War in The Butter Battle Book, to environmentalism in The Lorax, to beauty standards in Gertrude MacFuzz to racism and bigotry in Horton Hears a Who.

BDAY-3Geisel never won any of the top literary prizes for children (the Caldecott and Newbery Medals), though two of his books, McElligot’s Pool (1947), Bartholomew and the Oobleck (1949) were runners-up for the Caldecott.  He was, however, awarded a Laura Ingalls Wilder Medal from the Professional Children’s Librarians in 1980 for his “substantial and lasting contributions to children’s literature”, and a special Pulitzer Prize in 1984 to commemorate nearly a half-century’s work on behalf of children’s literacy.  And in 2004, U.S. children’s librarians established the annual Theodor Seuss Geisel Award, which celebrates “the most distinguished American book for beginning readers published in English in the United States during the preceding year”.  This award places an emphasis on the “creativity and imagination” that encourages children from Kindergarten to Grade 2 to love reading.

Today, in addition to reading his whimsical, subversive, and still wonderfully entertaining books, you can also visit the Dr. Seuss National Memorial Sculpture Garden in Springfield Massachusetts (Geisel’s hometown), which opened in 2002.

From the The Dr. Seuss National Memorial Sculpture Garden in Springfield, Massachusetts
From the The Dr. Seuss National Memorial Sculpture Garden in Springfield, Massachusetts

 

 

…Oh, and the “Doctor”?  Geisel said he added it because his father always wanted him to study medicine.  However, the necessity of it came during his time at Dartmouth.  Geisel was caught in a student dorm with gin–which, during Prohibition, was a pretty serious issue.  He was ordered to give up all extra-curricular activities, including his editor-in-chief position at the college humor magazine, The Jack-O-Lantern.  In order to keep submitting to the magazine, Geisel had to adopt a pseudonym…and Dr. Seuss was born.  In 1956, Dartmouth awarded him an honorary doctorate, thus making the “Dr.” part official.

So, in honor of Dr. Seuss, and all the joy and wonder he brought–and continues to bring–to so many children, we here at the Free For All say:

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If we didn’t have birthdays,
you wouldn’t be you.
If you’d never been born,
well then what would you do?
If you’d never been born,
well then what would you be?
You might be a fish!
Or a toad in a tree!
You might be a doorknob!
Or three baked potatoes!
You might be a bag full of
hard green tomatoes.

Or worse than all that…
Why, you might be a WASN’T!
A Wasn’t has no fun at all.
No, he doesn’t.

A Wasn’t just isn’t. He just
isn’t present. But you…
You ARE YOU!
And, now isn’t that pleasant!