Tag Archives: National Poetry Month

National Poetry Month, Week 4!

It’s that time again, dear readers, where we gather to share some verse in honor of National Poetry Month!  This week, we honor Frances Ellen Watkins Harper, a Black poet, teacher, activist, and social advocate.National Poetry Month Poster 2019

Frances Harper was born in Baltimore Maryland on September 24, 1825, the only daughter of two free Black parents whose names are not known.  Following the death of her parents by the age of three, she was raised by her maternal aunt and uncle, Henrietta and Rev. William Watkins, whose name she also took.  Rev. Watkins ran a school for Black children, and Frances was educated there until she found work at a seamstress at age 14. During her early twenties, she published poems and articles in the local newspaper and wrote her first volume of poetry.  When the Fugitive Slave Act was passed in 1850, which rendered all Black people in the United States at risk of being sent into slavery on the pretext that they were “fugitive slaves,” Frances and her family fled to the northern United States; they lived in Ohio, where Frances  where she worked as the first female teacher at Union Seminary, and eventually settled in Pennsylvania, where Frances joined the American Anti-Slavery Society.

Women of distinction - remarkable in works and invincible in character (1893) (14598047448).jpg
Frances Ellen Watkins Harper, 1893, via Wikimedia

In addition to supporting abolition, Frances was also an active and vocal supporter of prohibition and woman’s suffrage.  She helped to found the American Woman Suffrage Association, which rejected the racist, classist ideology of the suffrage parties led by Susan B. Anthony and Elizabeth Cady Stanton, who refused to support the Fifteenth Amendment to the Constitution, which gave freed Black men the right to vote.  1858, a century before Rosa Park’s protest, she refused to give up her seat or ride in the “colored” section of a segregated trolley car in Philadelphia.  A lifelong advocate of women’s personal and political rights, as well as the rights of people of color made her a mentor (and a friend) to many other African American writers and journalists, including Mary Shadd CaryIda B. WellsVictoria Earle Matthews, and Kate D. Chapman.  Today, we are honored to bring her one of Frances’ most well-known poems as part of our National Poetry Month celebration!


The Slave Mother

By Frances Ellen Watkins Harper
Heard you that shriek? It rose
   So wildly on the air,
It seem’d as if a burden’d heart
   Was breaking in despair.
Saw you those hands so sadly clasped—
   The bowed and feeble head—
The shuddering of that fragile form—
   That look of grief and dread?
Saw you the sad, imploring eye?
   Its every glance was pain,
As if a storm of agony
   Were sweeping through the brain.
She is a mother pale with fear,
   Her boy clings to her side,
And in her kyrtle vainly tries
   His trembling form to hide.
He is not hers, although she bore
   For him a mother’s pains;
He is not hers, although her blood
   Is coursing through his veins!
He is not hers, for cruel hands
   May rudely tear apart
The only wreath of household love
   That binds her breaking heart.
His love has been a joyous light
   That o’er her pathway smiled,
A fountain gushing ever new,
   Amid life’s desert wild.
His lightest word has been a tone
   Of music round her heart,
Their lives a streamlet blent in one—
   Oh, Father! must they part?
They tear him from her circling arms,
   Her last and fond embrace.
Oh! never more may her sad eyes
   Gaze on his mournful face.
No marvel, then, these bitter shrieks
   Disturb the listening air:
She is a mother, and her heart
   Is breaking in despair.

National Poetry Month, Week 4!

National Poetry Month was introduced in 1996 by the Academy of American Poets as a way to increase awareness and appreciation of poetry in the United States, and, since 1998, it’s also been celebrated in Canada.  The idea for the celebration came when the Academy saw the success of Women’s History Month (in March) and Black History Month (in February), and wanted a way to celebrate and promote the work of poets, and the power of poetry.  So, as a Library who always enjoys a celebration, we are happy to oblige!

via the American Academy of Poets

Today, we bring you a poem by American poet Sherwood Anderson .  Anderson was born on September 13, 1876 in Camden, Ohio.  He left school at age 14 in order to support his family, finding success as a businessman and salesman that would support him for most of his life.  He also served in the Spanish-American War.  At the beginning of his career, he wrote at night and on weekends, finally finding success with his book of interrelated short stories, Windesburg, Ohio, which was published in 1919.  His work consistently focused on aspects of real life in the midwest, and the scenic and emotional details that made up the fabric of everyday life there.  This poem is representative of that spirit, and the love of the outdoors that sustained Anderson for most of his life:

 

Evening Song

Sherwood Anderson1876 – 1941

My song will rest while I rest. I struggle along. I’ll get back to the corn and
the open fields. Don’t fret, love, I’ll come out all right.

Back of Chicago the open fields. Were you ever there—trains coming toward
you out of the West—streaks of light on the long gray plains? Many a
song—aching to sing.

I’ve got a gray and ragged brother in my breast—that’s a fact. Back of
Chicago the open fields—long trains go west too—in the silence. Don’t
fret, love. I’ll come out all right.

National Poetry Month, Week 3!

National Poetry Month was introduced in 1996 by the Academy of American Poets as a way to increase awareness and appreciation of poetry in the United States, and, since 1998, it’s also been celebrated in Canada.  The idea for the celebration came when the Academy saw the success of Women’s History Month (in March) and Black History Month (in February), and wanted a way to celebrate and promote the work of poets, and the power of poetry.  So, as a Library who always enjoys a celebration, we are happy to oblige!

via the American Academy of Poets

Today, we bring you a poem by American poet Djuna Barnes.  Barnes was born in a log cabin in New York state in 1892.  Her family life was not a happy one, marked by poverty, sexual abuse, and a forced marriage to a man decades older than her (which was neither consensual or legal).  When her parents split up, Barnes, her mother, and several siblings moved to New York City.  Desperate for work, Barnes applied for a job as a reporter at the Brooklyn Daily Eagle, telling an editor “I can draw and write, and you’d be a fool not to hire me.” Over the next few years her work appeared in almost every newspaper in New York, including The New York Press, The World and McCall’s; she wrote interviews, features, theatre reviews, sat ring-side at boxing matches (she advocated boxing for women), and often illustrated her work with her own drawings.  In 1915, she joined a Bohemian community in Greenwich Village, and began writing and acting with some of the most well-known artists of the day.  A bisexual, a progressive feminist, an avant-garde poet, and a gifted playwright, Barnes’ work was hailed both in the US and the UK, and offered inspiration to writers as diverse as Truman Capote, Dylan Thomas, David Foster Wallace, and Anaïs Nin.

This Much and More

Djuna Barnes1892 – 1982

If my lover were a comet
Hung in air,
I would braid my leaping body
In his hair.

Yea, if they buried him ten leagues
Beneath the loam,
My fingers they would learn to dig
And I’d plunge home!

 

National Poetry Month, Week 2!

National Poetry Month was introduced in 1996 by the Academy of American Poets as a way to increase awareness and appreciation of poetry in the United States, and, since 1998, it’s also been celebrated in Canada.  The idea for the celebration came when the Academy saw the success of Women’s History Month (in March) and Black History Month (in February), and wanted a way to celebrate and promote the work of poets, and the power of poetry.  So, as a Library who always enjoys a celebration, we are happy to oblige!

via the American Academy of Poets

This week’s poem is by George Moses Horton, who was born into slavery around 1798 in North Carolina.   He taught himself how to read and write using hymnals, the Bible, and cast-off spelling books.  From these, he learned poetry, and to composes verses on his own.  As a result, Horton was the first Black author in the South to publish a book, as well as the only American to publish a book while living in slavery.  The book was titled The Hope of Liberty, and was released in 1829 by the politically liberal journalist Joseph Gales, who was intended to raise funds to purchase Horton’s freedom.  He was not emancipated until 1865, however.  Following his release from slavery, Horton moved to Pennsylvania, where he continued writing poetry that focused on his experiences of a Black man in the United States.  He died in about 1884.

George Moses Horton’s signature, via Wikipedia

On Liberty and Slavery

Alas! and am I born for this,
   To wear this slavish chain?
Deprived of all created bliss,
   Through hardship, toil, and pain!
   
How long have I in bondage lain,
   And languished to be free!
Alas! and must I still complain--
   Deprived of liberty.

Oh, Heaven! and is there no relief
   This side the silent grave--
To soothe the pain--to quell the grief
   And anguish of a slave?
   
Come, Liberty, thou cheerful sound,
   Roll through my ravished ears!
Come, let my grief in joys be drowned,
   And drive away my fears.
   
Say unto foul oppression, Cease:
   Ye tyrants rage no more,
And let the joyful trump of peace,
   Now bid the vassal soar.
   
Soar on the pinions of that dove
   Which long has cooed for thee,
And breathed her notes from Afric’s grove,
   The sound of Liberty.
   
Oh, Liberty! thou golden prize,
   So often sought by blood--
We crave thy sacred sun to rise,
   The gift of nature’s God!
   
Bid Slavery hide her haggard face,
   And barbarism fly:
I scorn to see the sad disgrace
   In which enslaved I lie.
   
Dear Liberty! upon thy breast,
   I languish to respire;
And like the Swan upon her nest,
   I’d to thy smiles retire.
   
Oh, blest asylum--heavenly balm!
   Unto thy boughs I flee--
And in thy shades the storm shall calm,
   With songs of Liberty!

April is National Poetry Month!

National Poetry Month was introduced in 1996 by the Academy of American Poets as a way to increase awareness and appreciation of poetry in the United States, and, since 1998, it’s also been celebrated in Canada.  The idea for the celebration came when the Academy saw the success of Women’s History Month (in March) and Black History Month (in February), and wanted a way to celebrate and promote the work of poets, and the power of poetry.  So, as a Library who always enjoys a celebration, we are happy to oblige!

via the American Academy of Poets

Every year, the AAP put out a poster as part of the National Poetry Month campaign.  You can see this year’s poster right above this paragraph.  It was designed by AIGA Medal and National Design Award-winning designer Paula Scher, It’s unique typeface and coloring is a tribute to Walt Whitman’s Leaves of Grass, a Peabody Library favorite, so we’re particularly pleased to see Whitman’s work honored in this way!

Because one of our goals here at the Free For All is to bring a little poetry into your life, we are looking forward to sharing some verses with you this National Poetry Month.  Keep an eye out for our “Raining Poetry” Event as well, which is taking place on Monday, April 9, beginning at 3:30pm.  Using stencils created with the library’s laser cutter, participants will transfer poems to Peabody sidewalks. We’ll treat the stencils with a solution, so that poems appear up and down Main Street when it rains. The spray used to write the poems is invisible; when the surrounding pavement is darkened by rain, the dry words emerge and treat pedestrians to the secret poems that quietly wait to be read.  This particular art-instillation is brought to you by Mass Poetry, the Peabody Cultural Council, Peabody Institute Library, the Friends of the Peabody Institute Libraries, and a mother-daughter team of locals: Jennifer and Chloe Jean.

We can’t wait to fill Peabody’s sidewalks with poetry–and to share some with you here on our blog, as well.  If you’re looking for even more poetry, check out the American Academy of Poet’s website, which features oodles of poem, from Shakespearean sonnets to the most recent slam poetry, from the tried and true to the experimental and unique.  To get things started here, today we are featuring Emily Dickinson’s “Dear March – Come in -“, a perfect poem for springtime, with all it’s vagaries, surprises, and unpredictability:

Dear March – Come in – (1320)

Emily Dickinson1830 – 1886
Dear March - Come in -	
How glad I am -
I hoped for you before -
Put down your Hat -	
You must have walked -
How out of Breath you are -	
Dear March, how are you, and the Rest -
Did you leave Nature well -	
Oh March, Come right upstairs with me -
I have so much to tell -

I got your Letter, and the Birds -	
The Maples never knew that you were coming -
I declare - how Red their Faces grew -	        
But March, forgive me -	
And all those Hills you left for me to Hue -	
There was no Purple suitable -	
You took it all with you -	        
  
Who knocks? That April -
Lock the Door -
I will not be pursued -
He stayed away a Year to call	
When I am occupied -	        
But trifles look so trivial	
As soon as you have come
	
That blame is just as dear as Praise	
And Praise as mere as Blame -
via the American Academy of Poets
This poem is in the public domain