Last night, the winners of the 2017 Hugo Awards were announced at Worldcon 75, in Helsinki, Finland. We talked a good deal about the Hugo Awards a few months ago, covering the really troubling “Puppies” and their attempt to hijack the awards (which are voted on at the Con itself), as well as the need to celebrate diverse books of all kinds, genres, and forms.
So it’s a delight to present this list of award winners, which highlights the diversity of the science fiction genre, and, hopefully, will provide you with plenty of ideas for your To Be Read pile!
In total, 2464 valid nominating ballots (2458 electronic and 6 paper) were received and counted from the members of the 2016, 2017 and 2018 World Science Fiction Conventions, and 3319 members of the 2017 Worldcon cast vote on the final ballot.
Best Editor, Long Form: Liz Gorinsky (editor with Tor Books and Tor.com)
A big, Free-For-All Congratulations to all the winners!
*A number of Hugos are awarded for materials that the Library does not stock, such as fan fiction, fanzines, and visual arts. We nevertheless support and celebrate their achievements, and you can read the whole list of winners here.
The nominations for the 2017 Hugo Awards were announced in April, dear readers, and anticipation is steadily building over which novels will win.
The Hugo Award is the the longest running prize for science fiction or fantasy works, having been established in 1953. Up until 1992, the award was known simply as the Science Fiction Achievement Awards, but was subsequently named after Hugo Gernsback, the founder of the pioneering science fiction magazine Amazing Stories. Gernsbackwas also responsible for creating the idea of a ‘fandom’. When readers wrote into Amazing Stories, their addresses were published along with their letters. As a result readers began to become aware of themselves as fans, and to recognize their collective identity as devotees of the science fiction genre–not bad for 1926.
But “fandom” has its downsides, as well, as few institutions know this better than the Hugo. See, the Hugo Award nominees and winners are chosen by supporting or attending members of the annual World Science Fiction Convention, or Worldcon, with attendees providing nominees, and then the whole group voting in a runoff vote with five nominees per category (unless there is a tie). For each category of Hugo, the voter may rank “No Award” as one of their choices. Voters are instructed that they should do so if they feel that none of the nominees are worthy of the award, or if they feel the category should be abolished entirely.
Anyway, back in 2013, author Larry Correia began speaking with other sci-fi writers (all of whom had been nominated for Hugos, but hadn’t won), and saying wouldn’t it be great if Correia’s novels were nominated for the Hugo Award in order to “poke the establishment in the eye” by nominating “unabashed pulp action that isn’t heavy handed message fic[tion]”. That led to the beginning of a not-so-covert voting bloc that attempted to get Correia’s work Monster Hunter Legion nominated. The bloc called themselves the “Sad Puppies” after a commercial for the American Society for the Prevention of Cruelty to Animal, showing, you guessed it, Sad Puppies, after a blog comment that equated puppy sadness with “boring message-fic winning awards”. And just so we’re clear here, Correia explained what he meant by “boring message-fic winning awards” in an interview with Wired:
He felt that the Hugos had become overly dominated by what he and others call “Social Justice Warriors,” who value politics over plot development. Particular targets of Puppy derision include two 2014 Hugo winners: John Chu’s short story, “The Water That Falls on You From Nowhere,” in which a gay man decides to come out to his traditional Chinese family after the world is beset by a new phenomenon: whenever a person lies, water inexplicably falls on them; and Ann Leckie’s debut novel Ancillary Justice, whose protagonists do not see gender.
The movement was taken over in 2015 by Brad Torgerson, who explained, in the same Wired interview about
“…what he called “the cognitive dissonance of people saying, ‘No, the Hugos are about quality,’ and then at the same time they’re like: ‘Ooh, we can vote for this author because they’re gay, or for this story because it’s got gay characters,’ or, ‘Ooh, we’re going to vote for this author because they’re not white.’ As soon as that becomes the criteria, well, quality goes out the window.”
So the Sad Puppies coordinated, and tried to influence the Hugo nominations by presenting a whole slate of books en masse. They weren’t terribly successful. Seven of the twelve 2014 nominees made it to the final ballot, one nominee each in seven categories, including Correia’s Warbound.
Then, in 2015, the “Rabid Puppies” emerged. And this where things went from generally xenophobic and unwelcoming to flat out virulence. The “Rabid Puppies”, were led by a man named Theodore Beale, but who goes by the name Vox Day, which is a bad attempt as “Vox Dei”, or “Voice of God”. Day is the only person to have been kicked out of the Science Fiction and Fantasy Writers of America in its nearly fifty year history for horrid, racist remarks he made, and posted, directed at N.K. Jemisin (you are welcome to look them up yourself, should you wish). He delights in being known as “the most despised man in science fiction”. Anyways, in both 2015 and 2016, Beale published a slate of nominees, mostly conservative writers and people from his own publishing house, and told his followers to vote them. In 2016, they nabbed over 60 nominations, with four categories dominated by Beale’s picks.
And authors responded. In 2015, “No Award” was given in five categories, meaning that a majority of voters decided that not giving out an award was better than awarding a Puppy pick. Some categories did award Hugo’s to authors that Puppies had selected, ut they were authors like Neil Gaiman, who was popular enough to win anyway. In 2016, a number of authors declined their nominations, including Brian Sanderson who wrote a blog post regarding the issue. In part, Sanderson said:
I didn’t like the way many of the Puppies talked. They could be belligerent and argumentative, using tactics that felt more likely to silence opposition instead of provoke discussion. In addition, they associated with people even worse…Some leaders in the movement verbally attacked people I respect and love…These awards are supposed to be about the best of sf/f. We are not supposed to vote or nominate simply for our favorite writers, nor choose things just because they advance our viewpoint. (Though things we nominate and vote for can indeed do both things.) We are to examine pieces outside of authorship and pick ones that represent the best of the community…I felt that the slate the Puppies were advocating was dangerous for the award, and against its spirit.
Connie Willis pulled out of presenting a prize, saying her presence would “lend cover and credibility to winners who got the award through bullying and extortion”.
But instead of giving up, or giving in, the majority of science fiction writers voted…and in the end, all four categories for works of fiction went to women, three of whom were women of color, which is pretty terrific, considering that in 2007, there was only one woman nominated at all.
It’s truly disheartening that, rather than supporting the evolution of the genre, or welcoming new authors…or publicly addressing perceived issues with the nominations process in a manner that would allow debate and discussion, a small group of disaffected people would not only attack a valued and deeply significant institution, but would take such delight in it. Correia’s original argument was that the Hugo had become classist, discriminating against perceived ‘low-brow’ authors (we’re going to tackle this tomorrow), and while there is a very valid discussion to be had about class and ‘literature’, there is no call to punish other authors–to insult other authors, to attack other authors–because the market around you is changing. The fact is, it’s no longer 1926, and the kind of privileged literature that could use science fiction as a vehicle for racist, sexist, and generally xenophobic messages has long passed, and the genre has grown and developed too much to go back. And why would we want to, when there are so many other incredible worlds, fascinating ideas, and strange new futures awaiting us in the pens of new authors who are, and will continue, to bring a new worldview to the page?
After the 2016 season, the rules for the Hugo were changed in an attempt to prevent the Puppies from “breaking” the Hugo any further (George R.R. Martin claimed the award had been “broken” by Beale and his pack). And this year’s nominations seem to be pretty straightforward, with the Sad Puppies not mounting a recognizable campaign, and the Rabid Puppies succeeding in securing only one ludicrous nomination among a spectrum of titles that have been both commercially successful, and diverse in terms of content and their author’s identities.
So maybe this year, there is hope for the Hugo. I sincerely hope so. You can read the full list of nominees here.
I’m not sure how I nearly missed the memo that there was a new show starting last week that I can easily see fulfilling my need for campy fun with a somewhat-literary twist. I found out only just in time to set my DVR to a season pass for Time after Time an ABC drama that, while I don’t think it’s intention is to be funny, seems to be cracking some viewers up all the same.
The premise for the series is this: Legendary and groundbreaking sci-fi author H.G. Wells built a time machine prior to his authorial turn and while bandying about in Victorian times, manages to have said time machine stolen by Jack the Ripper. Both travel to modern-day New York City. Murder & mayhem ensue, Wells feels guilty and tries to track Jack the Ripper down and stop him. The series is also apparently very meta as it is based on a movie which was based on a 1979 novel by Karl Alexander (sadly, unavailable in NOBLE at this time).
For those of you looking for a more reality-based primer prior to watching (or completely ignoring) this show, here’s some brief info. H.G. Wells (1866-1946) was a British author most well known for writing The Time Machine and War of the Worlds but was also a sociologist, journalist and historian. His first book was, surprisingly, given his reputation for fantastical fiction in later life, a biology textbook. Jack the Ripper‘s true identity has never been officially proven , but numerous theories and obsessions abound about the pseudonymous murderer who struck in London’s Whitechapel district between August and November of 1888. It is also possible that the killer committed murders prior to and after those dates, depending upon how certain crimes of that time are viewed. Jack the Ripper has captured the imagination of many true-crime aficionados who still speculate who he was.
I’m not going to lie, I’m surprised to see these two figures in a television show together, given that the only link between them is that they were both alive in England in 1888. But I suppose that when one writes speculative fiction, it leaves those of us who read that work scads of leeway to speculate on our own. If you’re interested in this show, or if aspects of time travel or Jack the Ripper appeal to you, you’re in luck. Here are some options for your reading and viewing pleasure:
This is a fast-paced thriller in which true-crime aficionados around the world convene in an online role-playing game called Ripper. Most of these players are teenagers solving real-life mysteries on the game based on information fed by a game master, who gets her information from her dad, the Chief Inspector of the San Francisco police. This book is ideal for those who perhaps have some of their own theories about Jack the Ripper or who like Time after Time‘s modern caper appeal.
This is a historical thriller set in Victorian London. The main protagonist is none other than Jack the Ripper and Hunter goes to great lengths to get deep inside the mind of a killer, re-imagining how and why he might have done what he did. This is a natural pick for those intrigued by Jack the Ripper but would also appeal to those fascinated by the likes of Hannibal Lecter .
This TV series, already discussed here on the blog is just fantastic. It follows the capers of the H Division detectives in London’s police force just after the Ripper murders as it delves into a re-imagined Whitechapel with several characters based on real-life investigators who were involved in (and somewhat undone by) the Ripper investigation. It is stunning, visually, in character development and in plot twists and is well worth watching.
This is the first book in the Chronicles of St. Mary’s series in which Madeline “Max” Maxwell is a time-traveling historian (quite possibly the coolest job description ever). There’s one major rule that all in that profession must follow: no interaction with the locals; observation only when time-traveling. Naturally, this doesn’t work out particularly well and Max realizes that being a historian who time-travels is a pretty dangerous activity.
Tom Barren’s 2016 is not the same as our 2016. It is the 2016 imagined by those living in the 1950s, complete with flying cars and moving sidewalks. Then, through a time-traveling mishap, he winds up in our version of 2016, complete with punk-music (which never needed to exist in his world) in what seems to him like a dystopian wasteland. His ultimate question is whether he fixes the tear in reality that occurred during the mishap and get back to his idealistic world, or learns to live and survive and possibly change for the better, the horrors of the time we live in.
This Showtime show is a perennial favorite at the South Branch and involves a nurse in 1946 who time-travels back to 1743 Scotland. Her heart is torn between the husband she loves and left behind in her own time and the man who she is forced to marry in the past in order to save her own life.
Till next week, dear readers, I’m going to try to get the Cyndi Lauper song out of my head…
It’s award season, dear readers, and while the Oscars may indeed be just around the proverbial corner, today, the Science Fiction and Fantasy Writers of America (SFWA) announced their nominees for the 2017 Nebula Awards, and I could not be more excited.
The Nebula Awards were first awarded in 1966, and have grown in prestige to be recognized as one of the most significant awards for science fiction and fantasy in publishing. Each year, a novel, novella, novelette, and short story are chosen…and just in case you, too, were wondering what a “novelette’ is, it is defined by SFWA as “a work between 7,500 and 17,500 words”, while a “novella” is between 17,500 and 40,00 words. Any book written in English and published in the United States is eligible for nomination, and members of SFWA cast their ballots for the favorite books. This means that, essentially, the awards are chosen by readers and genre devotees, which means that they are not only of high quality in terms of genre and style, but that they are also a darned good read. As you will see, screenplays are also recognized with the Ray Bradbury Award, and middle grade and young adult fiction is nominated for the Andre Norton Award for Young Adult Science Fiction and Fantasy.
In a world that is proving increasingly hostile to difference, this year’s Nebula nominees represent a really impressive diversity, both in terms of their subjects and their authors. As we’ve noted here, science fiction and fantasy are both genres that provide room to critique the world around us, and offer ways to explore change without remaining beholden to current cultural structures, times, or locales. And these nominees showcase some of the most daring, imaginative, and courageous authors at work today. From Nisi Shawl’s re-creation, re-assessment, and re-invention of the Belgian Congo in Everfair to Victor LaValle’s scathing, terrifying, and wonderful commentary on race, class, and power in The Ballad of Black Tom (one of my favorite reads of last year!),to Fran Wilde’s story of female friendships and adventure, these stories all, in their own way, have something to say about the world we live in, as well as the world that might be, somewhere, sometime, some day. In addition, the presence on this list of small, independent publishers, print, and online magazines, provide a diversity of story type, audience, and format that make this list so different from a lot of other awards out these today.
If you have never picked up a science fiction or fantasy book, this list is an excellent indication of where to start your exploration of the genres. If you are a longtime fan eager to find more reading fodder, then look no further. And if you are one of those lucky and remarkable people who have read all the tales on this list, then let us know which you liked best, and where a new reader should begin!
And here, without further ado, are this year’s nominees for the 2017 Nebula Awards, with links, where possible, to the books in the NOBLE or MetroBoston network. Where that isn’t possible, for example, in the case of online or specialty magazines (like Lightspeed, F&SF, and Beneath Ceaseless Skies, to name a few), links have been provided for you to find an access to the stories. Many of them are published online, making them easily accessible through the links. Enjoy!
I think that is something we can all agree on, especially these days.
Literary allusions abound these days, dear readers–we hear the US being referred to as a “brave new world”, a nod to Aldous Huxley’s novel published in 1932. We talk about “Big Brother” watching, and a number of commentators have begun to reference the slogan “War is Peace; Freedom is Slavery; Ignorance is Strength” both of which are nods to George Orwell’s classic novel 1984. I personally saw more “Cthulu for President” signs and shirts than I ever really thought possible over the past eighteen months, each of which were references to H.P. Lovecraft’s most well-known godlike beasty.
But science fiction is good for much more than passing literary references that make everyone feel a little cooler than their neighbors. And it’s good for more than just escapist reading when the world around us becomes too real. What each of these references show is that science fiction is a really powerful tool for helping us cope with our own world–and to imagine a better one. Huxley wasn’t just using up some extra ink when he penned Brave New World–he was giving voice to his fears that consumerism and economies based on mass-production could rob humanity of its uniqueness. George Orwell wasn’t just using up scrap paper when he penned 1984 (or Animal Farm, for that matter); he had seen first hand the harm that megalomaniacal leaders had on their people, the kind of pernicious fear that government surveillance provoked, and the real danger of tyranny, and his novels were meant as warnings as much as they were for entertainment.
…And Lovecraft was a racist, anti-Semitic, misogynistic creep who was, quite literally, terrified of everyone who didn’t look like him. And his novels depict that fear very well.
But the point I am trying to make here is that those works that we call “science fiction” very often speak to, and reflect, the world around us far more accurately than we give them credit for doing. It isn’t just about the gizmos and gadgets (although those can be great), or about inventing new technologies to outdo what science has done today (although Jules Verne made a pretty penny doing just that). It’s about slipping the bounds of reality and tossing out that idea of “progress”. There was (and is) this notion that human endeavor happened on a straight line, and was all building towards this One Great Good (though no one seemed to agree on what that Great Good looks like, even today). Those books can be good…but they can also come across like those 1950’s ads for the “kitchen of tomorrow” (see right). They don’t make life better…they just create gadgets to distract you from the fact that you’re still stuck in a kitchen. Progressive science fiction can show that idea to be utterly limiting and outdated, and dangerous in some cases. Even better, they offer a unlimited number of alternative paths for us to imagine walking. It’s not about crafting blueprints…it’s about dreaming in multiple dimensions, and that is just fun.
And science fiction as a genre offers a number of havens for marginalized peoples to talk about their experiences, and envision a different reality where power structures of race, gender, class, orientation, or language are either not barriers to living a full life, or are turned on their heads in order to give the outsiders some of the power. As Octavia Bulter (perhaps one of the most important progressive science fiction authors) wrote in her essay “A World Without Racism“:
Several years ago I wrote a novel called Dawn in which extra-solar aliens arrive, look us over, and inform us that we have a pair of characteristics that together constitute a fatal flaw. We are, they admit, intelligent, and that’s fine. But we are also hierarchical, and our hierarchical tendencies are older and all too often, they drive our intelligence-that is, they drive us to use our intelligence to try to dominate one another.
More fiction? Maybe.
But whatever is the source of our intolerance, what can we do about it? What can we do to improve ourselves?
And that is what makes progressive science fiction so profound, and so fascinating–because it thinks not only about spaceships and technology and “progress”, but asks bigger questions about humanity and its interactions, and challenge some of the structures that we have simply come to accept as unchangeable. But these words aren’t merely polemical, or diatribes against culture. Instead, they are creative, thought-provoking tales that engage both the critical and the creative parts of the brain at once.
So if you are looking for a bit of an escape from reality, come on into the Library and check out the Free For All’s display of progressive science fiction–not only will you get your fill of imagination and adventure…you might just come away better prepared to face this Brave New World of ours, too. Here are a few suggestions to get you started:
Lovecraft Country: We’ve mention Matt Ruff’s series of interconnected stories here before, but we’re doing it again, because this is one of those books that stick with you. The basis of Ruff’s work is a fictionalized version of “The Negro Motorist Green-Book“, which was published in the US from 1936 to 1966, and provided Black travelers with tips and warnings about the places they might be going. In Ruff’s book, Atticus Turner and his Uncle George (the publisher of “The Safe Negro Travel Guide”) set out from their home in Chicago to find Atticus’ father, who has fallen into the hands of the strange and sinister Mr. Braithwhite–and come face to face with a man with enormous powers, whose connection to the Turners is both diabolical and intriguing. In this word, privilege is transformed into a kind of magic protection that the Braithwhites are able to wield for good or ill. But as Atticus and his family begin to see just what that power can do, they realize that they have the power to overcome it–and even harness it for themselves, with some startling results. This is a genuinely unsettling, surprisingly funny, and really thoughtful book that feels uncomfortably believable, even at its most fantastic points.
The Obelisk Gate: The second book in N.K. Jemisin’s Broken Earth trilogy is dedicated “To those who have no choice but to prepare their children for the battlefield”, a powerful introduction to a riveting novel that deals very specifically with those hierarchies that Butler mentioned. In this world, earthquakes occur with such frequency and power that civilization relies on orogenes, people born with the ability to harness thermodynamic power and still earthquakes. But the orogenes are feared for their powers, and live as prisoners within the land they protect. Within this world, Jemisin has created two incredibly driven, powerful women: Essen, on a quest to find her missing daughter, and Nassun, the daughter herself, who is slowly discovering the incredible orogenic powers that she herself wields–powers that could heal or destroy the world around her. A wholly immersive adventure into a fascinating and complex world, Jemisin’s book is also a moving story about female power and relationships, as well as a commentary on how societies deal with “others” in their midst, making this series one that isn’t easy to forget. If you’re interested, be sure to check out the first book in this trilogy, The Fifth Season, to really get into Jemisin’s world.
Dune: Frank Herbert’s Dune books are seminal works in contemporary science fiction, and while they have earned legions of fans in the fifty years since Dune was first published, they’ve also inspired a number of economic studies and discussions. Because, at it’s heart, Dune is a study in economics of scarcity. Though a nearly uninhabitable planet, Dune itself is a source of “Spice”, a mind-altering drug that literally makes the intergalactic empire runs. So those who live there must learn to adapt, and to profit, even while risking their lives to endure Dune’s incredible hardships…not unlike the extreme conditions to which humans will go for oil today…and while Herbert’s books are becoming more and more prescient over time, they are also phenomenally good reads that continue to captivate readers around the world.
To recap, briefly, a number of statistics have shown that books about male characters win more awards than books about women, and books by male people tend to win more awards than those written by female people, despite the fact that women are publishing more books overall. See this graph from The Huffington Post for further details:
This graph only points to one award (though the Pulitzer is certainly a significant award), and doesn’t even hint at the lack of diversity in mainstream literary awards in terms of identity, sexuality, or religion…anyways, the point is that awards, as a whole, need to be doing a much better job.
And today….they did. Or, at least, one did. Because yesterday, women writers swept the Nebula Awards!
The Nebula Awards are handed out by the Science Fiction and Fantasy Writers of America. All members are allowed to suggest books for consideration, and only members can select nominees. This means that those invested in the genre and its success are responsible for nominating books, and also that publishers, agents, or any other other outside entity cannot tilt the scales in their favor through any kind of promotional or financial influence.
For several decades, science fiction and fantasy have been in the position to examine issues of identity, prejudice, and belonging, often in a way that more reality-based fiction genres cannot. For example, in an interview with The Paris Review, Ursula K LeGuin mentioned how her seminal novel, The Left Hand of Darknesswas inspired by emerging debates on gender and identity, saying “We didn’t have the language yet to say that gender is a social construction, which is how we shorthand it now…Gender had been thrown into the arena where science fiction goes in search of interesting subjects to revisit and re-question.” Similarly, author Octavia Butler, who has made her career out of using science fiction to question issues of gender, race, and identity, noted to Democracy Now that “I think I stayed with [science fiction] because it was so wide open, it gave me the chance to comment on every aspect of humanity. People tend to think of science fiction as, oh, Star Wars or Star Trek, and the truth is there are no closed doors, and there are no required formulas. You can go anywhere with it.”
So it isn’t terribly surprising that the SFWA would be so open to nominating and supporting women, and the challenging, imaginative, and daring books that they write. But recently, there has been an enormous backlash against women and people of color in the science fiction genre (as represented over the horrible debacle that was the Hugo Awards, but more about that later), so the fact that the SFWA is clearly reaffirming its support of diversity of both authors and books is enormously gratifying, and offers readers a whole new opportunity to discover some fantastic stories!
So, without further ado, here are the nominees and winners of this year’s Nebula Awards! Check out the Library this week to discover these phenomenal books for yourself (links are provided below for stories available online)!
Additioanlly, Sir Terry Pratchett was posthumously awarded the Kate Wilhelm Solstice Award, and C.J. Cherryh was named a Damon Knight Memorial Grand Master, both awards of lifetime achievement voted on by the SFWA.
Congratulations to the winning authors, and to the SFWA for recognizing such a sensational selection!
*The Ray Bradbury Award is not considered a Nebula award, but is handed out at the same ceremony
For those of you out there who love big, meaty books, with immersive details, deep, complex characters, and long journeys that allow those characters to develop within that scenic world…I have some good news. A recent study (by a group called Vervesearch on behalf of an interactive publisher called Flipsnack) analyzed the page counts of recent best-sellers and discovered that print books are getting bigger. In a fairly significant way, at that, with the average best-seller growing from 320 pages in 1999 to 400 in 2014. This implications of this are not clear at all; few studies of the present are. But, as we approach the “beach reading” season, those of you who want a good, sturdy book to take with you, I celebrate this news on your behalf.
There are those of us (and I definitely count myself in this group more often than not) who can’t always handle the commitment of a big book. As a self-professed adulterous reader, I often have three or four books going at once…for a number of reasons, which we can discuss later….but anyway, the point is that sometimes, for some of us, big books can be a real turn-off.
But there is good news! E-books have forced the publishing market to diversify their products in ways that haven’t been seen since the evolution of the paperback in 1935. And that means that new genres, new characters, and new types of books continue to emerge with startling speed. Just one of these options is the novella.
Novellas, by definition, are works of fiction that are longer than a short story, but shorter than a novel. The word itself derives from the Italian work “novella”, which means “new”. In reality, novellas are delightful, delicious, single-serving works of fiction that can be read in a single sitting…a train ride…a workout….whatever time or space you have to unwind for a bit is the perfect place for a novella. And, thanks to the revolution within the publishing market, novellas are becoming increasingly diverse, wider in scope, and increasingly more refined as an art form in and of themselves. Even better, they are becoming increasingly easier to find in print form, as well as electronic form.
And, to heap goodness on top of all this goodness, any resident of Massachusetts has access to the Boston Public Library databases….and the Boston Public Library has a phenomenal and growing collection of novellas (as well as a completely insane collection of other works and resources). Patrons can get a BPL library card online as well to have instant access to databases (including Overdrive!). To find these great resources, head to the “e-Library” option on our home page:
Then, click on “Articles/Databases”. It’s the sixth option on the list. Clicking that will take you to this screen:
The highlighted option in the screen capture above (the fourth option on the page) is the link to the Boston Public Library database, where you can get your BPL card and begin going hog-wild:
You can use the BPL’s catalog–and ours, as well–to find whatever reading material makes your heart skip a beat. You can pick these books up where they live, at the BPL’s numerous branches and central library, or use ComCat to have it delivered to your home library–give us a call for more information! For the sake of this particular post, let’s have a look at some of the novellas on offer–both through us, and via the BPL!
The Ballad of Black Tom: It’s no secret that I have a thing for weird fiction, so as soon as I heard about Victor La Valle’s novel of Lovecraftian horror set in Jazz Age New York, there was nothing that was going to get between me and this 151 page thrill ride. La Valle is a superb author, who works very complex and difficult real-world issues in to his intensely imagined, unsettling, and completely compelling fiction, and this book is a perfect sample of his talents. Charles Thomas Tester may not be the best musician in Brooklyn, but he knows enough to put food on the table for him and his father, and knows the magic tricks to surviving in a deeply racist world. But when he is hired by a reclusive, fiendishly powerful man from Queens, Tommy’s entire life changes. Faced with unspeakable bigotry on one side and unimaginably dark powers on the other, only one thing is sure…Tommy will never be the same. And neither will you after reading this haunting little book.
Chase Me: Tessa Bailey is a superb contemporary romance novelist all around, and I’ve never met a book of hers I didn’t love. Though most of her works were published in e-book format only, her Broke and Beautiful series was released both electronically and in print, so you can savor these delightful stories in any way you wish. Roxy Cumberland dropped out of college in order to follow her dreams of becoming an actress…but reality quickly stepped in, and now Roxy finds herself performing singing telegrams to make ends meet. To add insult to injury, her very first client is a drop-dead handsome trust-fund Manhattanite in a giant pink bunny costume. Louis McNally II has no plans to humor the absurd spectacle at his door, but the voice–and the face–of his singing visitor intrigues him, even if Roxy appears to want nothing to do with him, or his entitled lifestyle. This opposites-attracting story is steamy, touching, and genuinely good fun from start to finish, and the perfect antidote for a gloomy day.
The Awakening: Melville House is a phenomenal publishing company (who also maintains a delightful website!), and their Art of the Novella series has really helped established the novella as a crucial genre in and of itself. Among those works is Kate Chopin’s classic feminist novel about a woman trapped by marriage and her social situation. At the time of its publication in 1899, the book was considered an irredeemable scandal that ended Chopin’s career. Since then, thankfully, Chopin’s powerful prose and enduring message has become a classic, and readily available, thanks to Melville House and the BPL. Check out all of the Art of the Novella books on offer, as well, in order to get a real sense of all the potential these books have to offer!
"Once you learn to read, you will be forever free." ~Frederick Douglass