Tag Archives: Awards

Breaking News: The Man Booker Shortlist

No.  I didn’t set an alert on my phone to let me know when this list was actually announced.  Only a really crazy book nerd would do that.  Oh…wait….

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But this morning, the good judges of the Man Book Prizes handed down their shortlist, showing which six books had been selected from their previously-compiled baker’s dozen of novels to compete for the ultimate prize, the Man Booker Prize for Fiction.  Each author whose book made the shortlist receives a prize of £2,500 and a specially bound edition of their book.  Take a look and see what you think, or come on down to the Library and meet these books for yourself!

3592939The Sellout (Published by Oneworld): Named by the New York Times and Wall Street Journal as one of the best books of 2015, American author Paul Beatty’s novel focuses on a young man growing up in the southern outskirts of Los Angeles with his single father, a controversial sociologist, and serving as the subject in a number of racially charged psychological studies.  When his father dies, leaving nothing of merit or financial use behind, our narrator, in a desperate bid to save his hometown, decides it is time to re-instate slavery, and attempts to segregate his local high school, a move than lands him before the Supreme Court, in a blisteringly dark, satirical tale that the Los Angeles Times called “among the most important and difficult American novels written in the 21st century . . . a bruising novel that readers will likely never forget.”

3719827Hot Milk (Published by Hamish Hamilton): British author Deborah Levy has been short-listed for the Man Booker previously for her novel Swimming Home, which focuses on issues of mental health and family interactions.  Her current work looks at the relationships between mothers and daughters, as Sofia, a young anthropologist, tries to come to terms with her mother, and the inexplicable illness from which she suffers.  Eager to abandon her own responsibilities for a bit, Sofia accompanies her mother to Spain to consult with a world-famous physician.  However, the longer they stay in Spain, the more suspicious Sofia grows of the doctors’ methods and her mother’s condition, leading her on an investigation into her mother’s symptoms and past to find the real answers to the symptoms that have weighed down both their lives, in a book that Publisher’s Weekly called “A singular read . . . Levy has crafted a great character in Sofia, and witnessing a pivotal moment in her life is a pleasure.”

51-zrxwkerl-_sx321_bo1204203200_ His Bloody Project (Published by Contraband): This book, unfortunately, will not be coming out in the US until November, but I’ve already got a standing order here at the Library, and I was fortunate enough to grab a copy of this during my recent adventuring, and can tell you, it’s most definitely a book to put on your calendar.  Scottish author Graeme Macrae Burnet’s novel is ostensibly a collection of documents he discovered while studying his family’s history–namely, a  brutal triple murder committed in a remote Scottish farming community in 1869 by one of Burnet’s (fictional) ancestors.  Five minutes with this book, however, and you’ll forget that this isn’t real testimony in a real trial in an actual historic record, and find yourself drawn into a story that seems at once so obvious and straightforward, and yet leaves you with so many questions and suspicions and doubts.  Very few people thought this book would make it to the short-list, but I’m really glad it did, because, as The Scotsman noted, it really is “one of the most convincing and engrossing novels of the year.”

3630536Eileen (Published by Jonathan Cape): Not only can we be excited about this book as  a Man Booker Short Listed novel, but we can also celebrated because author Ottessa Moshfegh is a Boston-born local author, as well (yay!).  Set in a coastal New England town in the early 1960’s, Moshfegh’s book focuses on Eileen, a woman trapped between her job at a local boy’s prison, and her home, where she cares for her alcoholic father, with nothing for herself but her dreams of escape and fantasies of larceny.  Things begin to change when Rebecca Saint John arrives as the new counselor at the prison.  Eileen’s devotion to Rebecca grows to be something absolute, and she is overjoyed to find that a mutual friendship is emerging between them.  But soon, Eileen’s loyalty to Rebecca leads her into complicity in a crime wildly outside the realms of her previous imaginings.   As the San Francisco Chronicle noted, “When the denouement comes, it’s as shocking as it is thrilling. Part of the pleasure of the book (besides the almost killing tension) is that Eileen is mordantly funny . . . a truly original character who is gloriously unlikable, dirty, startling — and as ferociously human as the novel that bears her name.”

51oh1ictzl-_sx329_bo1204203200_All That Man Is (Published by Jonathan Cape): This book will be released in the US on October 4, and will be on our shelves shortly thereafter.  Canadian author David Szalay’s has crafted a thoroughly unique and fascinating collection of stories here, linked through their overall purpose, rather than their characters or content.  He tells of nine men, all at various stages of their life,  each far from home, and each engaged in a quest to discover his purpose in life.  From their various locations across Europe, each man, individually may be isolated, but together, each of these stories tells us something powerful about what it means to be alive, to be human, and to exist at a certain age, creating a work that, as a whole, is immediate, searching, and constantly surprising.  Because each of these stories is a contained unit, Szalay is able to change local, characters and tone easily, making this a book the London Review of Books called “Cleverly conceived, authoritative, timely and (in a good way) crushing. . . . There is a cheerful and ghastly sordidness to everything…and every other page or so an irresistibly brilliant epithet or startlingly quotable phrase, lets nothing go to waste.”

61fahatw1vl-_sx328_bo1204203200_Do Not Say We Have Nothing (Published by Granta Books): Canadian author Madeleine Thien’s novel will be published in the US on October 11, so you won’t have too long a wait for this novel that deals on one level with families and memory, and on another with the history of modern China, and the ways in which large-scale events can shape the smallest aspects of our lives.  At the heart of the book are two young women, Marie and Ai-Ming, growing up in present-day Vancouver.  As their relationship grows, Marie tries to piece together the stories that have brought both women to this point in their lives.  Her quest reveals the history of her own father, a  mysterious but undeniably talented pianist, Ai-Ming’s father, a shy and brilliant composer, and a violin prodigy named Zhuli were forced to re-conceive of themselves and their artistic ambitions during the massive upheavals of Maos’s Cultural Revolution, the protests and Tienanmen Square, and how the choices they made led these two remarkable women to their current moment.  At once epic in its scope and deeply personal in its consequences, The Guardian  called this book “A moving and extraordinary evocation of the 20th-century tragedy of China, and deserves to cement Thien’s reputation as an important and compelling writer.”

So there you have it, dear readers: this year’s Man Book Prize Shortlist.  Place your bets, make your predictions and get reading! We’ll be announcing the winner of the Man Book Prize on October 25th!

Five Book Friday (with a side of Baileys)!

 

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Today, it’s with great pride that we announce that Lisa McInerney’s The Glorious Heresies has won the Baileys Women’s Prize for Fiction!

Though this book won’t be released in the US until August 9th, this book has already created quite a stir in McInerney’s native Ireland, as well around the UK.  It’s a tale of an accidental murder and the result that act has on the lives of its four protagonists, who include a 15-year-old drug dealer, his alcoholic father, a prostitute and a gangland boss.  The book is about as far away from the Disneyland Ireland that so many books depict, and probably much closer to the real underbelly of modern Irish society than many would like to admit, but for all that, it’s a wonderfully, darkly funny book that is wonderfully creative, and deeply courageous.

McInerney noted how often she was told her book sounded “male”.  As quoted by The Guardian, she replied to this, “I’m still not entirely sure why. Was it because it had a certain boisterousness, when women are best suited to gentle pursuits, like embroidery? Did it seem too sweary, when women’s voices are made for arias and whispered gossip?…In celebrating women’s writing, the Baileys prize does something great. It gives us a roadmap for a space where books by women writers exist as part of a sweeping, chaotic and beautiful literary landscape, where they are allowed to just be”.  And we can’t wait for McInerney’s book to be a part of our Library soon!

So, on that note, let’s see what other books have made their way onto our shelves this week, to help tide you over until The Glorious Heresies hits the US!

Five Books

3756622738 Days: New adult author Stacey Kade’s latest release is a harrowing and heartbreaking journey of loss–but also a deeply emotional tale of love and redemption that is getting a great deal of attention for its courage and creativity.  When she was sixteen, Amanda Grace was kidnapped and held in a basement by a sexual predator for two years.  Only the posted of heartthrob Chase Henry on the wall gave her something good and hopeful on which to focus until she was able to escape.  Six years later, Amanda is struggling to put her past behind her, while Chase Henry himself is trying to resurrect his career after six years of drugs, alcohol, and partying.  When his publicist arranges a meeting between Chase and Amanda, the results are disastrous, but the two manage to work out a deal for their mutual benefit.  But when a new danger rises up, will their fragile bond be enough to save them both?  Publisher’s Weekly gave this one a starred review, saying “The intense psychological drama of Amanda struggling to heal her broken spirit makes for riveting reading…Kade…drops just the right amount of humor into the mix of regret, shame, determination, and love….Readers will long remember the love story between these complex characters.”

3761964East West Street: What began as an academic’s search for his family roots has evolved into a powerful, insightful, and moving exploration of the history of the “war crime” and the concept of “crimes against humanity”, which were developed as a result of Nazi Germany’s policies against Jews and other victim groups, as well as the sacking and pillaging of countless families’ homes during the Second World War.  Through exhaustive research and a gift for storytelling, Philippe Sands tells the story of Raphael Lemkin and Hersch Lauterpacht (who developed the definition of “genocide”), and Hans Frank, Hitler’s personal lawyer, who stood in the dock at Nuremberg, being held to account for overseeing the death of some 1 million Jews from Galicia and Lemberg, among them, the families of the Sands’ grandfather’s family as well as those of Lemkin and Lauterpacht.  Though not always an easy read, Kirkus Reviews found this book an incredibly important one, calling it “An engrossing tale of family secrets and groundbreaking legal precedents . . . a tense, riveting melding of memoir and history . . . From letters, photographs, and deeply revealing interviews, the author portrays Nazi persecutions in shattering detail . . . Vastly important.”

3756072Freedom of the Mask: If you haven’t started reading Robert McCammon’s historical mystery/thriller series featuring the fascinatingly complex Matthew Corbett, official “problem solver”, then you really, really should think about starting it.  It’s a wonderfully engrossing series that touches on the darker, seedier, and generally less-explored sides of early American history.  In this sixth installment, Corbett has gone missing while on a mission for the Herrald Agency in Charles Town.  Little does anyone guess that Matthew has been arrested, and is being held in the notorious Newgate Prison for a murder without a body (alongside one Daniel DeFoe).  Though his friends are racing to his side, this case may be too big even for the great Matthew Corbett to solve.  Again Publisher’s Weekly fell in love with this book, declaring “McCammon’s intricate and intersecting subplots keep the story twisting unpredictably, and he adds menace to the mayhem with hellish descriptions of London straight out of a Hogarth engraving…Fans of the series will race through this hefty page-turner to see where Matthew’s latest adventure leads him.”

3741028 (1)The Lynching: The Epic Courtroom Battle That Brought Down the Klan: Lawrence Leamer’s new book focuses on the murder of Michael Donald, a young black man who was picked up by two members of the Ku Klux Klan in Mobile, Alabama in 1981.  Following the investigation into Donald’s horrible death, and the conviction of those responisble, Morris Dees, civil rights lawyer and cofounder of the Southern Poverty Law Center, filed a civil lawsuit against the members of the local Klan unit, charging them with fraud.  The resulting trial shook the Klan to its very core.  In this work, Leamer traces not only the trial itself, but also looks closely at the Klan, and its lingering affects on American history in a work that Kirkus Reviews calls “Powerful… engrossing… and a pertinent reminder of the consequences of organized hatred.”

3739491The Noise of Time: The genius and bravery of Soviet composer Dmitri Shostakovich has been getting a lot of attention lately.  Earlier this year, M.T. Anderson published a teen novel about his experiences during the Battle of Leningrad, and now acclaimed author Julian Barnes has given us this novel-in-miniature that focuses on Shostakovich beginning around the age of thirty, when he became a primary target of Stalin’s despotism.  Convinced that he is about to die, Shostakovich considers not only the weight of his own life, but those of his loved ones and family–and when a stroke of luck spares him, he must face the reality of a lifetime under Soviet control.  Barnes is a gifted and nuanced writer, and this study of art and the meaning of life is one that is wholly suited to his style.  NPR concurs, calling this work “As elegantly constructed as a concerto . . . another brilliant thought-provoker which explores the cost of compromise and how much confrontation and concession a man and his conscience can endure.”

Until next week, beloved patrons–happy reading!

The Vegetarian wins the International Man Booker Prize!

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Han Kang and Deborah Smith

In addition to recognizing the best in fiction published in the English language, the good people at the Man Booker Prize have also begun to celebrate translations of works in languages other than English.  In previous years, the International award has gone to an author for their body of work, including Ismail Kadaré in 2005, Chinua Achebe in 2007, and László Krasznahorkai in 2015.  However, translated fiction is growing considerably in popularity:The volume sales of translated fiction books have grown by 96% from 1.3 million copies in 2001 to 2.5 million in 2015.  Additionally, the role of translator becoming increasingly respected in the publishing and reading worlds, as we really begin to explore what it means to make the heart and soul of a story accessible to a wider and wider audience (see the infographic below for some more information).  Thus, this year, the Booker joined forced with the Independent Foreign Fiction Prize to recognize a single work of fiction in a language other than English.

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Last week, that award went to The Vegetarian by Han Kang, translated by Deborah Smith (pictured above).  The Vegetarian is a three-part novel that follows the story of Yeong-hye, a dutiful Korean wife who, spurred on by a dream, decides one day to become a vegetarian, a deeply subversive act, not only because it involves giving up meat, but also because it means Yeong-hye is defying her husband and culture in order to make this change in her personal life. This subversive act fractures her family and, as Yeong-hye’s rebellion takes on a number of increasingly bizarre and frightening forms, the real cost of her decisions becomes starkly, hauntingly clear, even as the story itself feels increasingly more and more like a cataclysmic nightmare.  It’s a deeply unsettling, but surprisingly engaging book that is, if nothing else, totally, and completely different from anything else I’ve ever read.

Of the book, The Guardian said: ‘Across the three parts, we are pressed up against a society’s most inflexible structures – expectations of behaviour, the workings of institutions – and we watch them fail one by one…it’s a bracing, visceral, system-shocking addition to the Anglophone reader’s diet. It is sensual, provocative and violent, ripe with potent images, startling colours and disturbing questions.’

Boyd Tonkin, the chair of the 2016 judging panel, said of Kang’s book:

3690164The Vegetarian by Han Kang, translated from the Korean by Deborah Smith, is an unforgettably powerful and original novel that richly deserves to win the Man Booker International Prize 2016…Told in three voices, from three different perspectives, this concise, unsettling and beautifully composed story traces an ordinary woman’s rejection of all the conventions and assumptions that bind her to her home, family and society. In a style both lyrical and lacerating, it reveals the impact of this great refusal both on the heroine herself and on those around her. This compact, exquisite and disturbing book will linger long in the minds, and maybe the dreams, of its readers. Deborah Smith’s perfectly judged translation matches its uncanny blend of beauty and horror at every turn.’

The Free For All is delighted to congratulate Han Kang and Deborah Smith, and is eagerly looking forward to the announcement of the Man Booker Prize Long List in July!

The Nebula Awards!

Guess what, dear readers?!

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Recall, in the past year, how we have talked about book awards, gender, and the discrepancies between the number of women authors in the world, and the lack of recognition they receive?

To recap, briefly, a number of statistics have shown that books about male characters win more awards than books about women, and books by male people tend to win more awards than those written by female people, despite the fact that women are publishing more books overall.  See this graph from The Huffington Post for further details:

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This graph only points to one award (though the Pulitzer is certainly a significant award), and doesn’t even hint at the lack of diversity in mainstream literary awards in terms of identity, sexuality, or religion…anyways, the point is that awards, as a whole, need to be doing a much better job.

And today….they did.  Or, at least, one did.  Because yesterday, women writers swept the Nebula Awards!

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The Nebula Awards are handed out by the Science Fiction and Fantasy Writers of America.  All members are allowed to suggest books for consideration, and only members can select nominees.  This means that those invested in the genre and its success are responsible for nominating books, and also that publishers, agents, or any other other outside entity cannot tilt the scales in their favor through any kind of promotional or financial influence.

download (4)For several decades, science fiction and fantasy have been in the position to examine issues of identity, prejudice, and belonging, often in a way that more reality-based fiction genres cannot.  For example, in an interview with The Paris Review, Ursula K LeGuin mentioned how her seminal novel, The Left Hand of Darkness was inspired by emerging debates on gender and identity, saying “We didn’t have the language yet to say that gender is a social construction, which is how we shorthand it now…Gender had been thrown into the arena where science fiction goes in search of interesting subjects to revisit and re-question.”  Similarly, author Octavia Butler, who has made her career out of using science fiction to question issues of gender, race, and identity, noted to Democracy Now that “I think I stayed with [science fiction] because it was so wide open, it gave me the chance to comment on every aspect of humanity. People tend to think of science fiction as, oh, Star Wars or Star Trek, and the truth is there are no closed doors, and there are no required formulas. You can go anywhere with it.”

So it isn’t terribly surprising that the SFWA would be so open to nominating and supporting women, and the challenging, imaginative, and daring books that they write.  But recently, there has been an enormous backlash against women and people of color in the science fiction genre (as represented over the horrible debacle that was the Hugo Awards, but more about that later), so the fact that the SFWA is clearly reaffirming its support of diversity of both authors and books is enormously gratifying, and offers readers a whole new opportunity to discover some fantastic stories!

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So, without further ado, here are the nominees and winners of this year’s Nebula Awards!  Check out the Library this week to discover these phenomenal books for yourself (links are provided below for stories available online)!

(Bold indicates category winner)

Novel

Andre Norton Award for Young Adult Science Fiction and Fantasy

Novella

Novelette

  • ‘‘Our Lady of the Open Road’’, Sarah Pinsker (Asimov’s 6/15)
  • ‘‘Rattlesnakes and Men’’, Michael Bishop (Asimov’s 2/15)
  • ‘‘And You Shall Know Her by the Trail of Dead’’, Brooke Bolander (Lightspeed 2/15)
  • ‘‘Grandmother-nai-Leylit’s Cloth of Winds’’, Rose Lemberg (Beneath Ceaseless Skies 6/11/15)
  • ‘‘The Ladies’ Aquatic Gardening Society’’, Henry Lien (Asimov’s 6/15)
  • ‘‘The Deepwater Bride’’, Tamsyn Muir (F&SF 7-8/15)

Short Story

Ray Bradbury Award for Outstanding Dramatic Presentation*

  • Mad Max: Fury Road, Written by George Miller, Brendan McCarthy, Nick Lathouris
  • Ex Machina, Written by Alex Garland
  • Inside Out, Screenplay by Pete Docter, Meg LeFauve, Josh Cooley; Original Story by Pete Docter, Ronnie del Carmen
  • Jessica Jones: AKA Smile, Teleplay by Scott Reynolds & Melissa Rosenberg; Story by Jamie King & Scott Reynolds
  • The Martian, Screenplay by Drew Goddard
  • Star Wars: The Force Awakens, Written by Lawrence Kasdan & J.J. Abrams and Michael Arndt

Additioanlly, Sir Terry Pratchett was posthumously awarded the Kate Wilhelm Solstice Award, and C.J. Cherryh was named a Damon Knight Memorial Grand Master, both awards of lifetime achievement voted on by the SFWA.

Congratulations to the winning authors, and to the SFWA for recognizing such a sensational selection!

*The Ray Bradbury Award is not considered a Nebula award, but is handed out at the same ceremony

Celebrating the Shirley Jackson Awards!

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Readers of the Free For All will know that I am rather an enormous fan of dark fantasy, horror, and all the odd things that boggle and beguile the imagination.  So it was, naturally, with great interest that I read of this years nominations for the Shirley Jackson awards, which were established in 2007 specifically to celebrate specifically those creepy, unsettling, imaginative, and somehow wondrous books that keep us up and night…for a number of reasons.

ShirleyJackThough her work was popular during her lifetime, Shirley Jackson’s novels only really began to get the attention and appreciation they deserve after her death in 1965.  Part of the reason for this may be because Jackson’s stories are so ambiguous that readers were desperate to get a simple explanation of what they meant, rather than appreciating their full effect, and the skill it took to produce such an unsettling effect on readers.  When her short story “The Lottery” was published in the New Yorker in 1948, it produced, quite literally, a flood of letters, that Jackson herself described as full of “bewilderment, speculation, and old-fashioned abuse”.

Another part of the reason for the late recognition of Jackson’s genius was that she refused to talk about her work–or talk at all to the many requests for interviews or sound bites that poured in.  As her husband, acclaimed editor Stanley Edgar Hyman explained after her death, “she consistently refused to be interviewed, to explain or promote her work in any fashion, or to take public stands and be the pundit of the Sunday supplements. She believed that her books would speak for her clearly enough over the years.”  As a result, any number of odd stories popped up to fill Jackson’s personal silence…that the darkness in her stories were the result of her own personal neurosis…that she was a recluse…that she herself was mad….

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The truth of the matter was that Jackson was a lovely lady, and, by all accounts, she and her husband were loving parents and very friendly hosts, and dedicated readers (their personal library was estimated at over 100,000 volumes).  But Jackson was also a perspicacious individual who was deeply conscious of what was going on in the world around her.  One of her first literary successes was the novel Hangsamanpublished in 1951 (and a short story called “The Missing Girl“, which wasn’t published until well after her death), a book that was deeply influenced by the (still unsolved) disappearance of a Bennington College sophomore named Paula Jean Weldon, which Jackson developed, adding her own experiences of her years at Bennington College, and her knowledge of the area where Weldon was said to have vanished (her family owned a house very nearby).  Later, she used news about the Cold War, America’s growing and pernicious xenophobia, and worldwide fears of nuclear and atomic energy to create stories as inspiration for her works.  She was actually delighted that “The Lottery” was banned in the United States because, she said, it meant that the government had finally realized what the story was really about.

2663371It was her uncanny ability to turn her readers’ fears against them, and to manipulate their own very real feelings of insecurity as the basis for her work that made Jackson such a noteworthy–and unsettling–storyteller.  Anyone who has read The Haunting of Hill House, and felt that ghostly hand creep into their own will know precisely of what I speak.  And, since 2007, when her estate established an award in her name, it is precisely these kinds of works that are honored with recognition from the Shirley Jackson Award.

The Shirley Jackson Award celebrates “outstanding achievement in the literatdownload (2)ure of psychological suspense, horror, and the dark fantastic”–and the nominees very frequently address the very real fears that permeate our own society, just as Jackson did in her own work.  This year is no different.  It’s remarkable to see how a diverse selection of authors grapple with issues of homosexuality and identity, racism, feminism, ageism, abuse, love, hatred, in ways that are beautifully human, terrifyingly real, and chillingly imaginative.  What’s even more interesting is how many small, independent, and diverse publishers are recognized in these years nominees.  More than most literary awards, which, as we’ve noted, tend to stick to the tried and true, the Shirley Jackson Awards are on the cutting edge of publishing, writing, and social issues, and, for that–not to mention the fact that these stories are all cracking good reads–they are definitely worth some attention.

Here is a list of the nominees…we are working to get some more on the shelves of the Library, but if there are titles below without a link, feel free to give us a call or stop by and we’ll find them for you in the meantime!

The nominees for the 2015 Shirley Jackson Awards are:

NOVEL

Eileen, Ottessa Moshfegh (Penguin Press)
Experimental Film, Gemma Files (ChiZine Publications)
The Glittering World, Robert Levy (Gallery)
Lord Byron’s Prophecy, Sean Eads (Lethe Press)
When We Were Animals, Joshua Gaylord (Mulholland Books)

NOVELLA

The Box Jumper, Lisa Mannetti (Smart Rhino)
In the Lovecraft Museum, Steve Tem (PS Publishing)
Unusual Concentrations, S.J. Spurrier (Simon Spurrier)
The Visible Filth, Nathan Ballingrud (This Is Horror)
Wylding Hall, Elizabeth Hand (PS Publishing-UK/Open Road Media-US)

NOVELETTE

“The Briskwater Mare,” Deborah Kalin (Cherry Crow Children, Twelfth Planet Press)
“The Deepwater Bride,” Tamsyn Muir (Magazine of Fantasy and Science Fiction, July-August 2015)
“Even Clean Hands Can Do Damage,” Steve Duffy (Supernatural Tales #30, Autumn)
“Fabulous Beasts,” Priya Sharma (Tor.com, July 2015)
“The Thyme Fiend,” Jeffrey Ford (Tor.com, March 2015)

SHORT FICTION

“A Beautiful Memory,” Shannon Peavey (Apex Magazine)
“Hungry Daughters of Starving Mothers,” Alyssa Wong (Nightmare)
“Seven Minutes in Heaven,” Nadia Bulkin (Aickman’s Heirs)
“The Dying Season,” Lynda E. Rucker (Aickman’s Heirs)
“Wilderness,” Letitia Trent (Exigencies)

SINGLE-AUTHOR COLLECTION

The Bazaar of Bad Dreams, Stephen King (Scribner)
The End of the End of Everything, Dale Bailey (Arche Press)
Get in Trouble, Kelly Link (Random House)
Gutshot, Amelia Gray (FSG Originals)
The Nameless Dark – A Collection, T.E. Grau (Lethe Press)
You Have Never Been Here, Mary Rickert (Small Beer Press)

EDITED ANTHOLOGY

Aickman’s Heirs, edited by Simon Strantzas (Undertow Publications)
Black Wings IV, edited by S.T. Joshi (PS Publishing)
The Doll Collection, edited by Ellen Datlow (Tor)
Exigencies, edited by Richard Thomas (Dark House Press)
Seize the Night, edited by Christopher Golden (Gallery)

Please Pass the Baileys (Women’s Prize for Fiction)

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After having my spirit crushed by Amazon’s classification system earlier this week (and having my love of the Dewey Decimal System immeasurably reinforced in consequence), the wonderful people behind the Baileys Women’s Prize for Fiction announced the long-list of books for their 2016 prize.

I’ve talked about the Baileys Prize before, with great excitement, not in the least because it highlights books that are wildly new, surprising, and generally overlooked by mainstream review outlets.  The other huge reason is because the good, wise people behind the Baileys Prize realizes that despite the fact that women authors outnumber men (the ratio is roughly 60/40), most literary prizes regularly overlooked women, and women of color specifically.  Not only that, but books about women were also overlooked in favor of tales about men, as these pie charts below demonstrate:

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Thankfully, the committee of authors and artists who award the Baileys Women’s Prize for Fiction are devoted celebrating “women’s creative achievements and international writing, whilst also stimulating debate about gender and writing, gender and reading, and how the publishing and reviewing business works.”  Rather than relegating the books by women into a single category (ahem, like some places do…..ahem), this prize recognizes the diversity, accessibility, and wonderful diverse books that have been produced by women in any given year.  It utterly ignores the idea of “chick-lit” or “women’s fiction”, and instead hails books that can be read, and enjoyed, by anyone.

You can read a great deal more about the award at their website–and be sure to check out their blog, as well.  There are Baileys recipes…..

So, without further ado, there is the long-list for the Baileys Women’s Prize for Fiction.  Some have been nominated for other awards this year, and some are wholly new to the awards scene.  Over half the list is made up of debut authors, and authors from seven different countries are recommended.  What’s also really exciting is the range of genres within this list–there is sci-fi, magical realism, mystery, and historical fiction, from a woman who can communicate with squirrels to a traveling freak show, there is plenty of different types of stories to keep your imagination firing.  Because this is a British prize, several of these books have not been released in the US, as yet.  But you can be assured that as soon as they are, we’ll be letting you know!

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Kate Atkinson: A God in Ruins

Shirley Barrett: Rush Oh!

Cynthia Bond: Ruby

Geraldine Brooks: The Secret Chord

Becky Chambers: The Long Way to a Small, Angry Planet (Will be released in the US on July 5, 2016)

Jackie Copleton: A Dictionary of Mutual Understanding

Rachel Elliott: Whispers Through a Megaphone (Available via The Pushkin Press)

Anne Enright: The Green Road

Petina Gappah: The Book of Memory

Vesna Goldsworthy: Gorsky

Clio Gray: The Anatomist’s Dream (No US release date announced yet)

Melissa Harrison: At Hawthorn Time

Attica Locke: Pleasantville

Lisa McInerney: The Glorious Heresies (Will be published in the US on August 9, 2016

Elizabeth McKenzie: The Portable Veblen

Sara Nović: Girl at War

Julia Rochester: The House at the Edge of the World (Will be published in the US on April 7, 2016)

Hannah Rothschild: The Improbability of Love

Elizabeth Strout: My Name is Lucy Barton

Hanya Yanagihara: A Little Life

Celebrating The Edgars, Celebrating THE Edgar…

And the list of birthday celebrations continues, with the master of the gothic, the macabre, and the darkly, seductively imaginative…Edgar Allan Poe, himself.

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Poe was born in Boston (hooray!) on January 19, 1809, the child of two actors.  His father abandoned the family when Poe was still an infant, and his mother died the following year.  Poe was then taken in by the Allan family, and though never formally adopted by them, he remained a part of their family into his young adulthood.  It was with the Allans that Poe moved to London as a child, a topic we mentioned during our first Postcards From Faraway Series, and John Allan also financed Poe’s tuition to West Point–though, when he failed as an officer’s cadet and declared his decision to become a writer and poet, he and John Allan parted ways for good.

Poe did earn quite a name for himself during his lifetime, both for his fictional writing and poetry, and for his irascible, cantankerous personality.  His editorial reviews were often acidic, to put it mildly, and his public appearances were dicey events, at best.  When invited by the Boston Lyceum to read his works, Poe grew annoyed that the first lecturer went on and on (and on…for over two hours).  So, instead of reading from his wildly popular poem “The Raven”, he recited “Al Aaraff”, a very, very long poem, which he wrote in his teens.  When he was attacked by the Boston press for his act, Poe used his own newspaper, the Broadway Journal, to respond:

We like Boston. We were born there – and perhaps it is just as well not to mention that we are heartily ashamed of the fact. The Bostonians are very well in their way. Their hotels are bad. Their pumpkin pies are delicious. Their poetry is not so good. Their common is no common thing — and the duck-pond might answer — if its answer could be heard for the frogs. But with all these good qualities the Bostonians have no soul.

We got over it, eventually, though, and put up this statue on the corner of the street where Poe was born:

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Yup…Poe and a Boloco…..

But for all the fame and infamy Poe garnered during his life, and by his throughly mysterious death, his true immortality came from the influence his work had, no only on individual writers, but on American Literature as a whole.  He invented the modern detective novel with his stories of Auguste Dupin, the man that Arthur Conan Doyle used as the inspiration for his own Sherlock Holmes.  He gave us the real meaning of the macabre.  He exploited our deepest fears and insecurities, and made them into something haunting, yes, and grim, certainly–but also something beautiful.

Stephen King has noted, “He wasn’t just a mystery/suspense writer.  He was the first.”  Louis Bayard, who wrote a fascinating novel featuring the young Poe, explained that “Poe is so ingrained in us—so deeply encoded into our cultural DNA—that we no longer recognize him.  And yet whenever we write a mystery, whenever we write horror, whenever we write science fiction—whenever we write about obsession—we’re following in his tracks.”

download (1)Perhaps this is why the Mystery Writers of America have named their most prestigious award after our Edgar.  They announce the shortlist for these awards, auspiciously, every year on Poe’s birthday.  These awards honor “the best in mystery fiction, non-fiction and television published or produced in 2015”, but are most associated with mystery novels, and are regarded as one of the highest awards a mystery writer can achieve.

This year’s shortlist was announced yesterday, on Poe’s 207th birthday, with the actual awards to be handed out at the end of April.  You can check out the full list of nominees right here, and we’ll be breaking down some elements of this list in the weeks to come, but here are a few highlights for you to peruse, in honor of the good Mr. Poe’s legacy (and maybe have some pumpkin pie?  Edgar seems to have been pretty partial to pumpkin pie…).

BEST NOVEL

The Strangler Vine by M.J. Carter
The Lady From Zagreb by Philip Kerr
Life or Death by Michael Robotham
Let Me Die in His Footsteps by Lori Roy
Canary by Duane Swierczynski
Night Life by David C. Taylor

BEST PAPERBACK ORIGINAL

The Long and Faraway Gone by Lou Berney
The Necessary Death of Lewis Winter by Malcolm Mackay
What She Knew by Gilly Macmillan
Woman with a Blue Pencil by Gordon McAlpine
Gun Street Girl by Adrian McKinty
The Daughter by Jane Shemilt

BEST YOUNG ADULT

Endangered by Lamar Giles
A Madness So Discreet by Mindy McGinnis
The Sin Eater’s Daughter by Melinda Salisbury
The Walls Around Us by Nova Ren Suma
Ask the Dark by Henry Turner

BEST TELEVISION EPISODE TELEPLAY

“Episode 7,” – Broadchurch, Teleplay by Chris Chibnall
“Gently with the Women” – George Gently, Teleplay by Peter Flannery
“Elise – The Final Mystery” – Foyle’s War, Teleplay by Anthony Horowitz
 “Terra Incognita” – Person of Interest, Teleplay by Erik Mountain & Melissa Scrivner Love
“The Beating of her Wings” – Ripper Street, Teleplay by Richard Warlow

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