Tag Archives: Author Days

“Only this and nothing more”…..

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Gustave Dore, The Raven

It’s not too difficult to realize that we at The Free For All are a big fan of celebrating–we celebrate author birthdays, musician’s birthdays, book birthdays, and the act of reading in general–because life is too short not to enjoy it (and enjoy it with cake!).  This week has been a particularly rich one for celebrations, not in the least because tomorrow is the 171st anniversary of the publication of Edgar Allan Poe‘s immortal poem, The Raven.

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You’d be hard pressed to find someone who doesn’t remember some part of The Raven, or who isn’t overcome with an overwhelming urge to yell “Nevermore!” when someone mentions the famous poem.  But how many people know the inspiration for the poem?

f3dc63f7051a5b49388209f2448fe30cAs we mentioned last week, Poe earned his daily bread and butter as a literary editor and book reviewer, generally panning books and genuinely annoying authors around the country.  But there were a few writers who earned his seal of approval, and one of those lucky few was Charles Dickens, whom Poe championed very early on in his career, saying “Charles Dickens is no ordinary man, and his writings must unquestionably live.”  The respect between the two men, it would appear, was mutual, and when Dickens arrived in the US on a speaking tour in 1842, we wrote to Poe, eager to make his acquaintance in person.  As these letters, held by the Poe Museum in Richmond, Virginia, attest, Dickens was also trying to help launch Poe’s career in England, though without a great deal of success.

Something else came of the meeting of these impressive minds, however, that would have a colossal effect on Poe’s career.  He got to talk with Dickens about Dickens’ beloved pet…a raven, named Grip.

2380405Dickens adored Grip, though he may have been among the only people who did.  He immortalized the cantankerous, chatty bird in his book Barnaby Rudge, and included a scene where one character, hearing a noise asks, of the raven, “What was that — him tapping at the door?”.  Dickens also, apparently, taught Grip to speak, and his favorite phrases were “Nobody!” and “Halloa Old Girl!” (honestly.  I did research on this.).  But the world did not share his views on Grip’s greatness.  In a letter (courtesy of The Free Library) written to a friend reporting on Grip’s death, Dickens wrote,

I am not wholly free from suspicions of poison–a malicious butcher has been heard to say that he would “do” for him–his plea was that he would not be molested in taking orders down the Mews, by any bird that wore a tail–other persons have also been heard to threaten–among others, Charles Knight who has just started a weekly publication…I have directed a post motem examination, and the body has been removed to Mr. Herring’s school of Anatomy for that purpose.

He also mentioned that, though he and his wife were heartbroken over the death of Grip “The children seem rather glad of it.  He bit their ancles [sic].  But that was play–”

The results of Mr. Herring’s autopsy remain a mystery to this day, but we do know that Dickens paid to send Grip to a taxidermist to be immortalized, and set in tableau.  There is also very little doubt that Grip, and Dickens’ portrayal of him in Barnaby Rudge, was a key inspiration for his own poem, The Raven, a fact that was known even while Poe was still alive.  The famous poet James Russell Lowell wrote in his work, A Fable For Critics: “Here comes Poe with his Raven, like Barnaby Rudge, / Three fifths of him genius, two fifths sheer fudge.”

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Hi there, Grip! Courtesy of AtlasObscura

Though Grip passed through a number of hands following Dickens’ death in 1870, he eventually found his way to Philadelphia’s Free Library around a century later, where he can still be seen today, presiding over the Library’s collection of manuscripts, which include works from both Dickens and Poe.

So today, on the day before the anniversary of The Raven‘s publication, we’re tipping our hat to Grip, his noble bearing, and his very odd vocabulary, for helping to inspire one of the most beloved and most memorable poems in American literature.  Hallao, Old Girl, indeed.

Check in tomorrow for our celebration of Raven Day, and a bunch of Poe-related literary suggestions!

Celebrating Virginia Woolf

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Yesterday was the 134th birthday of one of the greatest modernist authors of the twentieth century, and one of the bravest women I have had the pleasure of reading: Adeline Virginia Woolf, born January 25, 1882.

my_niece_julia_full_face_by_julia_margaret_cameronWoolf was born into a family of intellectuals; her father was an historian and author, who counted Henry James and James Russell Lowell as close friends, while her mother was an artist, and a model for the Pre-Raphaelite painters of the late 19th century (her portrait as a child is on the left).   As a result, Virginia got the kind of education that her voracious curiosity needed.

Her life was by no means idyllic, though.  Virginia (and her sister) suffered from breakdowns (later assumed to be a form of bipolar disorder), and both suffered from the trauma of sexual abuse committed by their half-brothers, George and Gerald.  As a result, Virginia spent several years as a young adult in institutions–but though her lifelong battle with her symptoms would hamper her social and personal life, she found a way to work, to think, and to write, even through some of the darkest periods in her life.

Following her father’s death in 1904, Virginia and her brother, Adrian, purchased a home at 46 Gordon Square, Bloomsbury.  It was from the address that the famous Bloomsbury Group emerged, including some of the most deep-thinking and daring intellectuals of the period (and Virginia’s eventual husband, Leonard Woolf).

…Apparently, they were also quite the pranksters–Virginia donned a beard in order to help with the “Dreadnought Plot” in 1910, during which several of her Bloomsbury Group convinced the higher-ups in the British Navy that Virginia was a visiting royal from Abyssinia who wanted to see their flagships (which were considered government secrets at the time).

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Virginia Woolf is the bearded gentleman on the far left.

Virginia Woolf was a remarkable innovator of the English language, often writing in streams-of-consciousness that revolutionized the novel.  Her works focus on the psychological and emotional development of her characters, rather than their physical actions or interactions, but does so in a way that is startling easy to grasp, and deeply, often heartbreakingly sympathetic.  One of my favorite moments as a reader came from this passage from Woolf’s To the Lighthouse, which was a selection for the Library’s Classics Book Group a few years ago.  This scene describes the heroine’s husband, a man of great value–and great flaws:

1770362He was safe, he was restored to his privacy. He stopped to light his pipe, looked once at his wife and son in the window…the sight of them fortified him and satisfied him and consecrated his effort to arrive at a perfectly clear understanding of the problem which now engaged the energies of his splendid mind.
It was a splendid mind. For if thought is like the keyboard of a piano, divided into so many notes, or like the alphabet is ranged in twenty-six letters all in order, then his splendid mind had no sort of difficulty in running over those letters one by one, firmly and accurately, until it had reached, say, the letter Q. He reached Q. Very few people in the whole of England ever reach Q. …But after Q? What comes next? After Q there are a number of letters the last of which is scarcely visible to mortal eyes, but glimmers red in the distance. Z is only reached once by one man in a generation. Still, if he could reach R it would be something. Here at least was Q. He dug his heels in at Q. Q he was sure of. Q he could demonstrate. If Q then is Q—R—. Here he knocked his pipe out, with two or three resonant taps on the handle of the urn, and proceeded. “Then R . . . ”  (From To The Lighthouse, Chap. 6, “The Window”)

And while Woolf revolutionized the mainstream novel, she was also a champion of the under-recognized: the women who were forced to hide their genius, men whose lives didn’t conform with society’s ideals, and those who, like Virginia, dealt with private, hidden, and yet sometimes overwhelming pain every single day.  She used language as a tool to burrow ever closer to something that unites us all, that cuts through pain and fear and isolation, and forces us to confront ourselves, as well as rethink the way we see the world around us.  Though Woolf’s own battle culminated in her taking her own life in 1941, her battles with her depression and grief remain an inspiration to readers around the world.

And if you are looking to discover more of Virginia Woolf’s words…in her own voice!…then check out this article from The Paris Review, which features the only known recording of Woolf’s voice, giving a talk on “Craftmanship”:

 

Happy reading, beloved patrons, and may you discover the whole alphabet today!

Celebrating The Edgars, Celebrating THE Edgar…

And the list of birthday celebrations continues, with the master of the gothic, the macabre, and the darkly, seductively imaginative…Edgar Allan Poe, himself.

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Poe was born in Boston (hooray!) on January 19, 1809, the child of two actors.  His father abandoned the family when Poe was still an infant, and his mother died the following year.  Poe was then taken in by the Allan family, and though never formally adopted by them, he remained a part of their family into his young adulthood.  It was with the Allans that Poe moved to London as a child, a topic we mentioned during our first Postcards From Faraway Series, and John Allan also financed Poe’s tuition to West Point–though, when he failed as an officer’s cadet and declared his decision to become a writer and poet, he and John Allan parted ways for good.

Poe did earn quite a name for himself during his lifetime, both for his fictional writing and poetry, and for his irascible, cantankerous personality.  His editorial reviews were often acidic, to put it mildly, and his public appearances were dicey events, at best.  When invited by the Boston Lyceum to read his works, Poe grew annoyed that the first lecturer went on and on (and on…for over two hours).  So, instead of reading from his wildly popular poem “The Raven”, he recited “Al Aaraff”, a very, very long poem, which he wrote in his teens.  When he was attacked by the Boston press for his act, Poe used his own newspaper, the Broadway Journal, to respond:

We like Boston. We were born there – and perhaps it is just as well not to mention that we are heartily ashamed of the fact. The Bostonians are very well in their way. Their hotels are bad. Their pumpkin pies are delicious. Their poetry is not so good. Their common is no common thing — and the duck-pond might answer — if its answer could be heard for the frogs. But with all these good qualities the Bostonians have no soul.

We got over it, eventually, though, and put up this statue on the corner of the street where Poe was born:

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Yup…Poe and a Boloco…..

But for all the fame and infamy Poe garnered during his life, and by his throughly mysterious death, his true immortality came from the influence his work had, no only on individual writers, but on American Literature as a whole.  He invented the modern detective novel with his stories of Auguste Dupin, the man that Arthur Conan Doyle used as the inspiration for his own Sherlock Holmes.  He gave us the real meaning of the macabre.  He exploited our deepest fears and insecurities, and made them into something haunting, yes, and grim, certainly–but also something beautiful.

Stephen King has noted, “He wasn’t just a mystery/suspense writer.  He was the first.”  Louis Bayard, who wrote a fascinating novel featuring the young Poe, explained that “Poe is so ingrained in us—so deeply encoded into our cultural DNA—that we no longer recognize him.  And yet whenever we write a mystery, whenever we write horror, whenever we write science fiction—whenever we write about obsession—we’re following in his tracks.”

download (1)Perhaps this is why the Mystery Writers of America have named their most prestigious award after our Edgar.  They announce the shortlist for these awards, auspiciously, every year on Poe’s birthday.  These awards honor “the best in mystery fiction, non-fiction and television published or produced in 2015”, but are most associated with mystery novels, and are regarded as one of the highest awards a mystery writer can achieve.

This year’s shortlist was announced yesterday, on Poe’s 207th birthday, with the actual awards to be handed out at the end of April.  You can check out the full list of nominees right here, and we’ll be breaking down some elements of this list in the weeks to come, but here are a few highlights for you to peruse, in honor of the good Mr. Poe’s legacy (and maybe have some pumpkin pie?  Edgar seems to have been pretty partial to pumpkin pie…).

BEST NOVEL

The Strangler Vine by M.J. Carter
The Lady From Zagreb by Philip Kerr
Life or Death by Michael Robotham
Let Me Die in His Footsteps by Lori Roy
Canary by Duane Swierczynski
Night Life by David C. Taylor

BEST PAPERBACK ORIGINAL

The Long and Faraway Gone by Lou Berney
The Necessary Death of Lewis Winter by Malcolm Mackay
What She Knew by Gilly Macmillan
Woman with a Blue Pencil by Gordon McAlpine
Gun Street Girl by Adrian McKinty
The Daughter by Jane Shemilt

BEST YOUNG ADULT

Endangered by Lamar Giles
A Madness So Discreet by Mindy McGinnis
The Sin Eater’s Daughter by Melinda Salisbury
The Walls Around Us by Nova Ren Suma
Ask the Dark by Henry Turner

BEST TELEVISION EPISODE TELEPLAY

“Episode 7,” – Broadchurch, Teleplay by Chris Chibnall
“Gently with the Women” – George Gently, Teleplay by Peter Flannery
“Elise – The Final Mystery” – Foyle’s War, Teleplay by Anthony Horowitz
 “Terra Incognita” – Person of Interest, Teleplay by Erik Mountain & Melissa Scrivner Love
“The Beating of her Wings” – Ripper Street, Teleplay by Richard Warlow

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Happy (Belated) Birthday, A.A. Milne!

January is a wonderful month for birthdays, and sometimes it’s tricky to make sure we talk about all the things about which a Library’s Official Blog should talk.  So it is with profuse apologies to the great Alan Alexander Milne that we offer him a belated happy birthday the day after what would have been his 134th birthday.

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Milne was born in Kilburn, London, in 1882.  His father ran a small private school out of the family’s home, so Milne was, naturally, a student, and had the good fortune to have H.G. Wells as a teacher between 1889-1890.  He studied mathematics at Trinity College, Cambridge, and was also a member of the Allahakbarries, the amateur cricket team that also featured the (not-so-stellar) talents of the likes of J.M. Barrie and Arthur Conan Doyle.  He served in the Royal Warwickshire Regiment before being seriously injured at the Battle of the Somme on July 7, 1916, and was recruited to Military Intelligence to write propaganda articles for the rest of the war.

Christopher_Robin_MilneFollowing the war, in 1920, Milne’s son, Christopher Robin was born, and it was for him that Milne’s most well-known stories were written.  What is less known is how much Milne struggled with the fame that his stories about Winnie-the-Pooh, Piglet, Tigger, and his son’s other stuffed toys brought him.  Up until the publication of Winnie-The-Pooh in 1926, Milne has found success as a playwright, a satirist, a mystery author, and a poet, among other titles…but following the debut of Pooh, Milne became a children’s writer.  This title was only further cemented with the publication of The House at Pooh Corner in 1928.

Nevertheless, Milne kept quite busy into his later life.  He produced a stage version of Kenneth Graehme’s The Wind in the Willows (which was a recent favorite selection of our Classics Book Group!), and wrote a number of screenplays for the burgeoning British film industry, specifically Minerva Films, which was founded by Leslie Howard.  But it was for Pooh Bear and his friends that Milne will forever be remembered.  In 1979, Christopher Robin unveiled a plaque in Ashdown Forest–the setting for the Hundred-Acre Wood–that echoed Milne’s immortal words: “In that enchanted place on the top of the forest a little boy and his bear will always be playing”, reminding us that there is a space, not only Out There, but within our own hearts and imaginations, that will forever be childhood, where Woozles roam, and friends abound–and that gift is one for which we should always be thankful.

And just yesterday, the good people at Brainpickings, we have this glorious recording of Milne reading the third chapter from Winnie the Pooh, made in 1929 by the Dominion Gramophone Company:

While you savor this utterly delightful reading, consider checking out a few of these books by Milne, that really highlight his talents, and give us a glimpse into the history of the denizens of the Hundred Acre Wood:

3591698Winnie : The True Story of the Bear Who Inspired Winnie-the-Pooh:  While Pooh Bear himself is a remarkable character, the real-life story of his inspiration is equally as engaging.  Winnie was a bear who was adopted by Harry Coleburn, a Canadian veterinarian who brought Winnie with him to his training camp at the outset of the First World War.  Sally M. Walker’s book is both very informative and wonderfully compelling–and just a little tear-jerky–and will leave readers with a whole new respect for Winnie the Bear, and the character he inspired.  Jonathan Voss’ illustrations round out the story beautifully as well (I dare you not to get just a little sniffly at that cover…).  Another super rendition of this history can be found in Lindsay Mattick’s Finding Winnie.

3142595The Red House MysteryMilne’s only mystery novel (first published in 1922) has remained a classic “locked room mystery”.  Even though Raymond Chandler was somewhat less than complimentary of its plot, it has remained a staple of the mystery genre, featuring a house party, the arrival of a surprise guest, and an inexplicable murder that is taken on by a local amateur sleuth who fashions himself as a modern-day Sherlock Holmes.  All signs point to the fact that Milne loved crafting this story, and really enjoyed pitting an amateur detective and villain against each other, in an age when fingerprinting, filing, and profiling were taking a good deal of the mystique out of crime solving–and for that reason alone, it’s worth a re-read soon.

TheEnchantedPlacesThe Enchanted Places:  Plainly put, it is incredibly difficult to be the child star of a classic work of literature.  Christopher Robin Milne was only one of any number of people who had to contend with the image of themselves that remained trapped on the pages of a book.  This book deals with this issue to some extend…as Christopher Robin explains, “My father was a creative writer and so it was precisely because he was not able to play with his small son that his longings sought and found satisfaction in another direction.  He wrote about him instead.”  Thankfully, the two were able to make peace as Christopher Robin grew older, becoming as much friends as father and son, and that bond is evident in the latter sections of this memoir, which develops into a heartfelt and honest exploration of the Milne men that offers a charming counterpoint to the stories of Winnie the Pooh and his young best friend.


0805788107.01._SX142_SY224_SCLZZZZZZZ_Winnie-the-Pooh and The house at Pooh corner: Recovering Arcadia: Following the smash-hits of Benjamin Hoff’s The Tao of Pooh and The Te of Pigletpeople truly began to realize the psychological and intellectual complexities of Milne’s creations.  In this highly readable and wonderfully illuminating book, Paula T. Connolly looks at Milne’s own biography, the world in which he wrote, and the finer points of his characters and their world, emphasizing the details that make his lighthearted works into masterpieces.  For those looking for a deeper exploration into these classic pieces, as well as recapture the magic of these works, this is definitely the place to begin.

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Happy Birthday, Charles Perrault!

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Courtesy of Google


If you’ve checked Google today, you’ll see that they’ve set up a Doodle to celebrate Charles Perrault, the French author who gave us such classics as Little Red Riding Hood, Sleeping Beauty, and Cinderella, among others.

perraultIt’s no secret that we here at the Free For All are big fans of fairy tales, magic, fantasy, and those who write them.  Last week, we celebrated the birthday of Jacob Grimm, who, along with this brother, became the most renowned mythologists in western culture.  Their work focused primarily on collecting stories from around Germany, concentrating on how they differed, agreed, and evolved over place and time.  But what sets Charles Perrault apart from the industrious Grimms is the fact that he invented his stories, based on pre-existing French fables, some two centuries before the Grimms began their work–and he was so popular that the Grimms actually recorded a version of Sleeping Beauty that made its way to Germany via word-of-mouth.

Perrault was born on this day in 1628 in Paris, and trained as a lawyer before turning to a career in government service, and finally, to writing, though most of his work dealt in the realm of fables.  He helped Louis XIV design 39 fountains for the labyrinth at the Palace of Versailles that were constructed between 1672 and 1677.  Each fountain featured an animal from Aesop’s Fables, and the water that jetted out of each creature’s mouth was designed to look like conversation between them all.   Perrault also wrote the guidebook to accompany the labyrinth for visitors.

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The Gardens of Versailles

He was also involved in the evolution of opera, which was developed as an art form during Perrault’s lifetime.  When a close family friend came under attack from critics for writing a modern opera (one not based on Greek mythology), Perrault wrote a now-famous editorial stating that, thanks to the Enlightenment and the scientific and philosophical progress of the current age, that modern art was better than anything that had been produced by the Ancients.
images (1)It is interesting, then, that Perrault used ancient folktales and fables as the basis for his own fairytales; to be fair, though, he reinvented each so much that they became new and unique, a genre unto themselves (though he did publish his first collection of these stories under his son’s name…just to be safe…).  Many of these stories were inspired by the world Perrault saw around him–one of his friends, the Marquis of the Château d’Oiron, because the inspiration for the Marquis de Carabas  Puss in Boots, while the nearby Château d’Ussé was the model for the castle in Sleeping Beauty.  Like the originally Grimm tales, these stories are far more gruesome and disturbing in the original text than in the versions we read today–these were cautionary tales, meant to warn children of the danger of strangers (like the Big, Bad Wolf) and wandering off alone (usually into the woods), and don’t hold back on the dangers that wait for children who misbehave.  But despite, or, perhaps, because of the unsettling, vivid realities that these stories create, Perrault’s tales live on, and still form the basis of some of our earliest literary experiences.

So come into the library today, and pick out some of these books to help celebrate the birthday of Charles Perrault!

1665863The Complete Fairy Tales of Charles Perrault: This beautifully illustrated edition of Perrault’s tales brings together not only his most well-known tales (like”Little Red Riding Hood”, but also “Puss in Boots”), but also some of his lesser-known ones, like “The Fairies”.   The Library also has a collection of Perrault’s tales illustrated by Gustave Doré in 1867.  These illustrations show a completely different side of these tales, and its truly fascinating how much Doré’s imagination changes the tone of the tale.

3168598Puss in Boots: Ok, so perhaps this Dreamworks production isn’t quite an adaptation of Perrault’s original tale, but I’m going to list it here anyways, because it’s just that cute, clever, and funny (and because the feline star looks remarkably like my cat, Oscar Wilde).  This film is, technically, a prequel to the Shrek films, but it’s also a brilliant stand-alone film about the adventures of one of literatures most courageous and charismatic felines that will entertain kids and adults alike.

farjeon_glassslipperThe Glass Slipper: This retelling of Perrault’s “Cinderella” by Eleanor Farjeon is one of the most beautiful and engaging versions you can read.  This version takes out a good deal of the Perrault’s violence and cruelty, and substitutes character analysis and insight in order to make this a story with heart, soul, and substance (the inclusion of Cinderella’s father makes this story even more interesting.  Even better, this version features illustrations by E.H. Shepard, who created the classic illustrations for Winnie the Pooh.

1932474BeautyRobin McKinley is one of my favorite YA authors, and this retelling of Perrault’s “Beauty and the Beast” remains among my favorite of her books.  Like Farjeon’s retelling, this story sticks close to the original story–a young, beautiful girl is forced to live in a castle with a prince who has been transformed into a hideous beast, and helps him break the spell that is slowly killing him–but adds layers of complexity and dimension to the plot and characters that transforms this story into a novel with depth and power.  McKinley’s writing style is stunning, making this story, as well as her numerous others, easy to read, and impossible not to love.  For another adaptation of this story, check out  Beastly, which was also adapted into a film.

Wishing you a day of Happily Ever After, dear readers!

Happy Birthday, Jacob Grimm!

You never need an excuse for cake, but today, there is an excellent reason for one…the birthday of philologist, mythologist, and librarian, Jacob Grimm.

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Born in 1785 in Hanau, Germany, Jacob was the elder of the two Grimm brothers (Wilhelm was born about  year later).  He went to University to study law, but, like the best kind of academics, he found learning far more fun that actually finding a job.  It was thanks to a mentor, a famous professor of Roman law, who taught our young Jacob the scientific method of research, which involved deep, historic research to plumb not only all the mysteries of a topic, but also the origin of those mysteries.  Jacob ended up turning his love of study to linguistics, and German literature of the Middle Ages, moving to Paris with his mentor to study in all their libraries (tough life, eh?).

Grimm_WHe returned to Germany to be with his family, and, following his mother’s death in 1808, and was he was appointed superintendent of the private library of Jérôme Bonaparte, who had been placed in charge by his brother, Napoleon I.  In this position, Jacob was responsible for traveling to Paris to demand the return of books that had been seized by the French Army, which may indeed have set the record for the farthest distance traveled by a librarian to recover overdue books….

From this point on, Jacob and his brother insisted on joint appointments, whether as Librarians or Professors, so that they could continue their joint projects.  Though Jacob made some deeply significant findings of his own in linguistics, it was this work with his brother that earned both of them lasting fame.  Their Deutsche Mythologie, published in 1835, was a generally encyclopedic study of the mythology and beliefs of Ancient Germanic peoples from the earliest surviving records to their modern iterations and adaptations into fairytales and local folklore.  They noted how stories changed based on region and linguistic traditions, providing a fascinating way of tracing  oral tradition within a single geographical area.  And it is this book that became the basis for the fairytales that we still read today.

4e309018bba48e085c8578ab9bbd1a38The Grimm’s were, essentially, attempting to understand how the world as they knew it, at their present moment, had come to be, and, as a result the stories they wrote down tend to praise things like work, religious devotion, marriage, and money.  Hence, the fearful dangers to be found when wandering in the woods, or the danger of sneaking off into the night to dance at a ball, rather than finding a proper husband.  Hence the fear of witches, who hold power over the mysterious, and the succession of the millers, and the shoemakers, and the scullery maids, who put in an honest day’s work.  But, on the other hand, it is because of the Grimms that our world can hold fairies, or elves, or enchanted songs, or magical spinning wheels.  For all the nightmares their stories may have induced, they also gave us dreams, and it is for all of this that we celebrate Jacob’s birthday with these magical suggestions!

 

2250679The Annotated Brothers Grimm: For those looking to start at the beginning, here is a superb collection of Grimm’s Fairytales, in all their gory, surprising, and lovely detail.  They are divided by theme, making for a very interesting comparison and study, and includes a marvelous introduction by A.S. Byatt that looks at the Grimms’ place in history, as well as the effects their tales have had on us as a culture.

2686190Shelley Duvall’s Faerie Tale Theatre: These adaptations of classic fairy tales was, quite literally, my favorite thing about the ’80’s.  They remain among my favorite things to this day–so much so that I can recite very large portions of each episode.  And will do so upon request (you’ve been warned).  Originally a Showtime series, these stories are dated in some ways (so much hairspray.  so much eyeshadow…), but by and large, they are still terrific, detailed, and thoroughly watchable, even now.  Best yet, they feature some surprising guest stars, like Mick Jagger (in The Nightingale) and some pretty well-known directors, like Tim Burton and Francis Ford Coppola.

3205751Fairy Tales from the Brothers Grimm: A New English VersionIn a age where fairytales are adapted, updated, revamped and revised, Philip Pullman bucked tradition–to enormous success.  His retellings of the classic tales from the Grimm Brother’s work stick very closely to the originals, bringing out the stark beauty, and sometimes chilling details of the tale they uncovered.  He also includes a brief analysis of the story, and how contemporary mythologists understand and classify the story, which is particularly fascinating if, like Jacob Grimm, you think every bit of incidental knowledge is of vital importance.

23848124A Wild Swan:  The peerless Lady Pole discussed this book in November, and it’s worth pointing out today that her praise for Michael Cunningham’s adaptations of classic fairytales is wholly deserved.  These tales twist and turn in the most outlandish and thought-provoking ways, making the reader conscious of the language and the flow of the story, as much as the plot itself.  I can’t help but think that Jacob and Wilhelm would read these stories with glee.

2270600MythologyThough Edith Hamilton’s study of the stories that humanity tells is over fifty years old, it is still a seminal work in the study of mythology.  Hamilton began with the works of Homer, traveling across the western world in search of tales, and retelling them with clarity and obvious passion.  Like the Grimms, she is clearly interested in how we, as storytellers, got here today, and why our stories have adapted as they have.  Her project is one similar, though far larger in scope, to the Grimms, and one that beautifully complements a study of their work.

Happy Birthday, Rex Stout!

It’s a good few weeks for literary birthdays, with Louisa May Alcott’s last Sunday, Mark Twain’s and Lucy Maud Montgomery’s on Monday (who saw the adorable Google Doodle dedicated to Anne of Green Gables?), and Rex Stout’s today (and there are more yet to come!).

Rex Todhunter Stout was a wizard words, a devil at mysteries, politically active, deeply concerned with issues of civil liberties and censorship and, not insignificantly,  is one of the very few gentlemen who could pull off facial hair like this:

 

Rex Stout, age 35
Rex Stout, age 35

Seriously, this beard should be reason enough to earn this guy a Wikipedia entry…..but, incredibly, he actually lived up to his facial hair with a life that went from Incredible Story to Incredible Story….

Born in Indiana on December 1, 1886, Stout was one of nine children, and raised by Quaker parents who were devoted to their children’s education–apparently, young Rex read the Bible twice by the age of four, and was the Kansas spelling bee champion at age 13.

From such illustrious beginnings, he joined the Navy in 1906, and served a yeoman of Theodore Roosevelt’s presidential yacht…pictures, of course, or it didn’t happen:

Rex-Stout-20s

Though Stout had written for most of his life, he began making a career out of writing in about 1910, penning pulp fiction stories for popular magazines.  These stories ranged from science fiction to romance to action-adventure…and two serialized murder mysteries.

It turned out that Stout enjoyed writing mysteries.  After a decade of working to make money, during which he served on the board of the American Civil Liberties Union’s National Council on Censorship in 1925, he decided to return to mysteries, and in 1934, published Fer-de-Lance, a mystery featuring a private investigator named Nero Wolfe, and his assistant, the long-suffering and thoroughly charming, Archie Goodwin.

Wolfe and Goodwin would go on to become one of the most beloved mystery-solving duo in literature, and the collection of their adventures, who was comprised of 33 novels and about 40 novellas written between 1934 and 1975 won the nominated Best Mystery Series of the Century at Bouchercon XXXI, the world’s largest mystery convention.  Incidentally, Stout was also nominated as the Best Mystery Writer of the Century.

Hughes_Fer-de-lance-by-Rex-StoutFor those who have yet to encounter the delightfulness that is Nero Wolfe, allow me to introduce you.  Nero Wolfe is a massively overweight man (according to Archive Goodwin, he weighs “a seventh of a ton”) who was apparently born in Montenegro and who, gloriously, is always 56 years old.  Wolfe is a man of habits, almost obsessively so.  He refuses to leave his house–actually, he refuses to move–for anyone’s pleasure but his own.  He is a fanatical orchid-grower, and beer aficionado.  And honestly, this description makes him sound rather maudlin–but through the eyes of Archie Goodwin, he becomes a wonderfully loveable curmudgeon.

Archie Goodwin is, pure and simple, one of the best sidekicks in all of literature.  He is clever, street-smart, caustically sarcastic, dapper, sweet, and a narrator par-excellence.  It is Goodwin who makes this series so attractive, and Goodwin who keeps Nero Wolfe from taking himself too seriously, so that we can enjoy him, too.

Apart from this series, though, Rex Stout created Dol Bonner, one of the first female private detectives in 1937, who continued to appear in the Nero Wolfe books through the years.  Think about that…how many female private detective novels have you read?  Rex Stout knew we needed more of them 78 years ago.

PelhamDuring the Second World War, Stout joined the Fight for Freedom organization, and wrote propaganda for the American War Effort.  After the war, he moved to an estate in New York and became a ‘gentleman farmer’, and fostered a life-long friendship with P.G. Wodehouse (pictured at right), who created Jeeves and Wooster.  They were so close, in fact, that Stout actually appears in the Jeeves and Wooster novels–it turns out Bertie Wooster and his Aunt Dahlia are fans.  So you don’t have to take my word for it….

And yes…he rocked that beard for the rest of his life:

Rex-Stout-9496453-1-402

If you want to get a little better acquainted with the wonderful works of Rex Stout, here are some suggestions:

1345075Fer-de-Lance: The book that introduced Nero Wolfe and Archie Godwin to the world.  This story begins with Wolfe giving up bootleg beer and sending his cook, Fritz, to find a suitable replacement (setting the book 2 months after the sale of certain beers was legalized again in the United States).  But the action really started when a local blue-collar investigator, Fred Durkin (who would become a recurring character) brings a woman to Wolfe whose husband has disappeared after coming into a great deal of money.  Though the characters in this book aren’t all as well-developed as they would become, Wolfe and Goodwin are vivid, unique, and delightful from the very start.

3179608Nero Wolfe: Back when A&E was a TV powerhouse, they adapted a number of Stout’s stories for television, starring Maury Chatkin as Nero Wolfe, and Timothy Hutton are Archie Goodwin.  The writing and scenery are spot-on in these stories, but better than anything is the casting.  These men are precisely what I pictured when reading the books, and their banter together is pitch-perfect.  Though nearly a decade old, these are shows that just get better with viewing, and would make an ideal binge-watch for a lazy holiday weekend.


2986506Son of Holmes
: Fans of Sherlock Holmes will love John Lescroart’s spin on the cannon, and the introduction of Auguste Lupa, the son of Sherlock Holmes.  Though how that all happened is (thankfully) obscure, these stories are historically detailed, engrossing, and have the same understated emotion and razor-sharp insight that make the Holmes stories so terrific.  Why am I mentioning this book here?  Because, rumor has it, Lescroart intended Auguste Lupa not only a sequel to the Sherlock Holmes stories…but a prequel to the Nero Wolfe stories.  That’s right…Lupa and Wolfe may very well be one and the same.  Which, now that I know that, is going to necessitate an immediate re-reading.